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The Bay Area is full of artistic hypocrisy this month. On one side of the San Francisco Bay, two commissions by artist Tom Otterness are on hold because of a tasteless art video he did in the 1970s, and on the other side of the same bay, a Palestinian children’s art show is cancelled because it pisses off a small faction of right-wing political activists.
So, what’s the takeaway in this? We can’t forgive an artist who was never charged with a crime and has apologized for the death of a dog, but we look the other way when children are trying to communicate the suffering they continue to endure at the hands of a foreign government?
This week, the scourge of immersive exhibitions, the popularity of anti-vax deathbed videos, the pregnant man emoji, Chomsky on Afghanistan, Met Gala commentary, and more.
It seems like we broke the ice to a growing consciousness that the status quo isn’t going to work.
Over 50 years of the artist’s video and media work on how images, sound, and cultural iconography inform representation is on view through December 30.
Nate Chastain, OpenSea’s head of product, was ousted on Twitter by a user who posted questionable transactions from his wallet.
The 40-year relationship that unfolded between Toklas and Stein became the bedrock of Paris’s artistic avant-garde.
Over the course of three months, the resident artists in Going to the Meadow will collaborate and create with a curated set of continually changing materials.
Fifty works, all created by women, are brought together across time and media as the Norton Museum of Art reckons with the art world’s patriarchal past and present.