Since the Willem de Kooning show continues to be the talk of the town, I thought it would be fun to share this archival clip that features a number of lesser-known members of the New York School (Alcopley, Conrad Marca-Relli, Joe Stefanelli, John Stephan, Robert Richenburg and Will Barnet) discussing life in New York’s 1950s art world.
They discuss how artist’s never mentioned what they did to make money other than art, how an artist was considered a sell-out if they sold two works, Clement Greenberg’s own “corny” paintings, a smack down of art writers (ouch!), particularly critic Harold Rosenberg, and other inside baseball … it’s still fun though.
When I hear these artists decry “intellectual pretentiousness” of their times I am reminded that nothing has changed. Fast forward to now and many artists still don’t understand what art writers do.
Lewis’s tattered canvases and pasted over drawings mirror a world in need of constant upkeep and repair.
Seeing the Toronto Biennial of Art through my daughter’s eyes helped me push past some of its challenges by experiencing it on a primordial level.
Installations by Jessica Campbell, Yasmine K. Kasem, Suchitra Mattai, Haleigh Nickerson, and Nyugen E. Smith are now on view at JMKAC in Sheboygan, Wisconsin.
With its titular blend of Western culture and Asian ethnicity, Tyrus Wong’s “Chinese Jesus” painting embodies Asian American identity.
Prehistoric Planet is visually ambitious, but the docuseries often fails to contextualize those visuals for the curious viewer.
The first global survey dedicated to the use of clothing as a medium of visual art features works by 35 contemporary artists, including Nick Cave, Kent Monkman, Louise Bourgeois, and Mary Sibande.
Imelda Marcos and her husband were accused of plundering billions of dollars from the country.
Probably not, but it sure looks like one.
Who says tragedy has to be tragic? Co-presented with National Black Theatre, this fresh, Pulitzer-winning take on a classic centers Black joy and liberation.
I won’t bother you with talk about how obscenely decadent and out of touch the Frieze art fair is. And yet…
Curators Tahnee Ahtone, La Tanya S. Autry, Frederica Simmons, Dan Cameron, and Jeremy Dennis offered the public a window into their curatorial processes through the work they produced during their fellowships.
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Jeremy Dennis presents an exhibition to offer insight into his curatorial process.