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Today is the 65th birthday of Isabella Rossellini, whose acting career has spanned dozens of films and television shows, but is best remembered for her work in David Lynch’s 1986 comeback movie, Blue Velvet.
A throne is only a bench covered with velvet.
I would rather sit on a pumpkin, and have it all to myself, than be crowded on a velvet cushion.
—Henry David Thoreau
Silence is exhilarating at first — as noise is — but there is a sweetness to silence outlasting exhilaration, akin to the sweetness of listening and the velvet of sleep.
Society is like a lawn where every roughness is smoothed, every bramble eradicated, and where the eye is delighted by the smiling verdure of a velvet surface.
The velvet of her paws,
Her coat that with the tortoise vies,
Her ears of jet and emerald eyes,
She saw; and purred applause.
—Thomas Gray, “Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes”
He looked like an Italian, was dressed like an Englishman, and had the independent air of an American–a combination which caused sundry pairs of feminine eyes to look approvingly after him, and sundry dandies in black velvet suits, with rose-colored neckties, buff gloves, and orange flowers in their buttonholes, to shrug their shoulders, and then envy him his inches.
—Louisa May Alcott
When beholding the tranquil beauty and brilliancy of the ocean’s skin, one forgets the tiger heart that pants beneath it; and would not willingly remember that this velvet paw but conceals a remorseless fang.
—Herman Melville, Moby-Dick
You cannot make, my Lord,
I fear, a velvet purse of a sow’s ear.
—John Walcot, “Lord B. and his Notions”
Would you convey my compliments to the purist who reads your proofs and tell him or her that I write in a sort of broken-down patois which is something like the way a Swiss waiter talks, and that when I split an infinitive, God damn it, I split it so it will stay split, and when I interrupt the velvety smoothness of my more or less literate syntax with a few sudden words of bar-room vernacular, that is done with the eyes wide open and the mind relaxed but attentive.
I was sat at the bottom of the garden a week ago, smoking a reflective cheroot, thinking about this and that – mostly that, and I just happened to glance at the night sky and I marveled at the millions of stars glistening like pieces of quicksilver thrown carelessly onto black velvet. In awe I watched the waxen moon ride across the zenith of the heavens like an amber chariot towards the void of infinite space wherein the tethered bolts of Jupiter and Mars hang forever in their orbital majesty; and as I looked at all this, I thought, ‘I must put a roof on this lavatory.’
Saar’s irreverent paintings of dolls from her collection celebrate the catharsis she found in play.
With the opening of the new, $40 million structure in East Williamsburg, it poses the question of its role in the local arts community — one of collaboration or conquest?
Large-scale installations by artist and adobera Joanna Keane Lopez and olfactory-acoustic sculptures by Oswaldo Maciá will be on view starting October 1.
The act of touching allows a deeper sensory understanding for the viewer while simultaneously creating a rebellion against the terms of viewing, the defining terms of the museum and gallery space.
Photographer Fin Serck-Hanssen follows Hedda, a Norwegian in her early 20s, as she travels to undergo cosmetic surgeries and a vaginoplasty.
Over 125 artist studios, galleries, and exhibition spaces open their doors to the public for this year’s Jersey City Art and Studio Tour, taking place from September 30 through October 3.