Support Hyperallergic’s independent arts journalism.
Last Friday, artist Ophelia Chong had the kind of day most artist’s dread. On that fateful day she was told by one of her students that Starbucks was using graphics that looked a great deal like hers that … well, judge for yourself [above].
I asked Chong what it felt like when she saw the evidence for herself. This is what she responded with via email:
Scene: 30 seconds of staring at my cellphone with the image sent by my student.
Ophelia: WTF.WTF. OH MY GOD.
They are diluting my work, my brand.
Chong isn’t going to take this lying down and she’s retained a lawyer.
An accomplished designer, writers and illustrator, not to mention a professor and an artist who has six gallery shows in the last year alone, Chong has been active online for years. I asked her if this copyright infringement has dampened her enthusiasm to post her images online.
“No, it hasn’t changed my mind. All my work has been published through Flickr. I’ve had a website since 2000 and publishing on Flickr since 2006. I’ve had half a million views of my images since I started on Flickr,” she says proudly.
She knows that posting online has also exposed her work to more people and lead to book projects that she believes she would not have had otherwise. “I will not stop doing that. Posting online has gotten me a lot of work and a even a representative in New York. It’s a great tool. Whatever you do, just posting any image on the web, it can be taken. But if you don’t then how are people going to find you?” she says.
The artist says her book, containing her images and style, have been show to all the ad agencies by her reps, so she doesn’t understand why they simply didn’t hire her rather than rip her off. “It looks exactly like what I create,” she says. And she’s right. From the shape, to the style and the colors, there is an uncanny resemblance to her work.
“Starbucks has a motto on their Company page ‘Being a Responsible Company.’ It goes only as far as their doorstep when it comes to being responsible to the rights of artists,” she said on her personal blog.
Now it’s up to the courts to decide.
One hundred years after Mary Hiester Reid’s death, Flower Diary recovers the elusive, overlooked artist’s life and work
An exhibition of cabinet cards at LACMA showcases marketing and personal panache.
Over 50 years of the artist’s video and media work on how images, sound, and cultural iconography inform representation is on view through December 30.
Most eye miniatures were exchanged between lovers, though they were also given to close friends and family members.
Their original goal was to create a paint that would effectively reflect sunlight away from a building to reduce energy usage, but now the discovery has earned a Guinness World Record.
Over the course of three months, the resident artists in Going to the Meadow will collaborate and create with a curated set of continually changing materials.
In honor of National Hispanic Heritage Month, exhibitions on irises in art history, LGBTQ Pride, and more have been translated.