Support Hyperallergic’s independent arts journalism.
There haven’t been very many iconic images or art works coming out of the Occupy Wall Street movement yet things may be changing. In addition to the OWS “bat signal” that we posted about earlier today, this photograph in The Guardian by AP photographer Randy L. Rasmussen may be one of the most incredible images captured during the international protests.
Taken yesterday, during the November 17 day of action at Pioneer Courthouse Square in Portland, Oregon, the young protester being pepper sprayed by riot police is a visual symbol of the power imbalance taking place at these protests. Seemingly faceless black-clad police with visors and helmets are pushing back and harming non-violent protesters. Here the protester’s face is fully exposed to a stream of pepper spray, according to the caption, while an adjacent protester holds up the peace sign. We can only imagine the brutal burning sensation the protester was about to experience the moment after this image was taken.
Archeologists can now prove the Vikings made landfall in the Americas hundreds of years before Columbus reached the Bahamas.
This week, the National Gallery of Art finally acquired a major work by Faith Ringgold, the director of The Velvet Underground talks film, North America’s Hindu Nationalist problem, canceling legacy admissions, and more.
No Vacancy, curated by Jody Graf, will be on view from October 26 through November 8 at the school’s Kellen Gallery in New York City.
Sculptures of Oaxacan alebrijes, envisioned as guardians of the nation’s immigrant community, and catrinas, Day of the Dead skeletons, are now at Rockefeller Center.
“I am trying to keep the immediacy of my emotional experience while I’m painting.”
Art by Athena LaTocha, Wendy Red Star, Marianne Nicolson, Anita Fields, Jaune Quick-to-See Smith & Neal Ambrose-Smith, and more is on view through January 2022.
The intention behind the seemingly bizarre combination was, according to Attie, “to give visual form to the shared American and Brazilian reality of nationalistic divisions that defines our political present.”
Nowhere in the museums’ advertising blitzkrieg for the performance were we told to bring our wildfire-season masks as well as our covid masks, and covid masks don’t prevent smoke inhalation.