There haven’t been very many iconic images or art works coming out of the Occupy Wall Street movement yet things may be changing. In addition to the OWS “bat signal” that we posted about earlier today, this photograph in The Guardian by AP photographer Randy L. Rasmussen may be one of the most incredible images captured during the international protests.
Taken yesterday, during the November 17 day of action at Pioneer Courthouse Square in Portland, Oregon, the young protester being pepper sprayed by riot police is a visual symbol of the power imbalance taking place at these protests. Seemingly faceless black-clad police with visors and helmets are pushing back and harming non-violent protesters. Here the protester’s face is fully exposed to a stream of pepper spray, according to the caption, while an adjacent protester holds up the peace sign. We can only imagine the brutal burning sensation the protester was about to experience the moment after this image was taken.
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A caustic New York Times review from 1975 almost destroyed his career, but he remained one of the most influential artists of the 20th century.
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A documentary trilogy follows the life of Thich Nhat Hanh, who expounded the principles of engaged Buddhism.
Ten artists will receive studio space and access to faculty, staff, students, workshops, and programming at an arts institution in the heart of Philadelphia.
Sea View, conceived by Jorge Pardo as both an artwork and a residence, embraced the dissolution of borders between disciplines.
The Legion of Honor in San Francisco says it’s the first exhibition dedicated to the Renaissance artist’s drawings.
“Untitled” (1961) by George Morrison is the first work by a Native American artist to join the museum’s Abstract Expressionist collection.
“You can’t have idols; it’s in the second commandment,” he screamed before being arrested.
Join the New-York Historical Society on February 10 for a virtual conversation about our changing relationship to the natural world with Julie Decker, John Grade, and LaMont Hamilton.
Manhattan now has its own, downscaled version of the artist’s famous Chicago sculpture, oddly squished under a luxury condo tower.
Increased oil tanker truck traffic would “seriously degrade” the experience of viewing the canyon’s Indigenous rock art, said one advocate of the site.