
Our crackpot team of researchers has uncovered this video of a secret meeting between Jerry “I hate relational aesthetics today” Saltz and Charles “people are vulgar now that I’m not king” Saatchi in a Finnish sauna.
Our crackpot team of researchers has uncovered this video of a secret meeting between Jerry “I hate relational aesthetics today” Saltz and Charles “people are vulgar now that I’m not king” Saatchi in a Finnish sauna.
The Editors divide their time between Kinshasa, Brno, Goa, and Tikrit. They are fabulous and they will always be at the party you weren't invited to. More by The Editors
Whether you’re looking to beef up your catalogue collection or discover small affordable zines, these bookstores have offerings for everyone.
Here’s a list of states considering legislation that would criminalize or limit the work of drag artists.
Over 100 masterworks by 59 artists spanning the Ming and Qing dynasties are on view at China Institute Gallery in New York.
The move comes amid worrying news of the impact of the floods on Italy’s cultural heritage, particularly in the hard-hit Emilia-Romagna region.
Rather than focusing on death and suffering, a clichéd reality in Jewish culture, Peter Krasnow chose to paint vibrant, light-filled compositions.
Join the New-York Historical Society on June 9 for a virtual conversation about Asian American art with Aleesa Pitchamarn Alexander, Abby Chen, and Melissa Ho.
A radical communion of painting and writing, Art on the Frontline reckons with the leftist political potential of Black visual and expressive culture.
Timothy Martin and Joanna Smith face penalties of up to $250,000 in fines and five years in prison for smearing paint on the plexiglass case protecting the sculpture.
Tom Osgood’s final sculptures accompany design objects by his daughter Ravenna that celebrate domestic joys. On view at form & concept in Santa Fe, New Mexico.
The longer I looked at Bailly’s “Vanitas Still Life with Portrait of a Young Painter” the more puzzled I became by it.
Max Hooper Schneider’s Falling Angels at François Ghebaly evokes both ecological destruction and resurrection, decay and regeneration.