Editor’s Note: The following is our latest column, Off the Wall, in The WG newspaper, which was published in early December.
North Brooklyn is indisputably an epicenter of street art. Whether it is the amazing homegrown talent painting murals, the local artists who dabble in art out in the open, visiting artists from Europe or Australia who leave their mark while exploring the city, or local businesses commissioning artists to create posters that are posted illegally, it’s a visual jungle out there and some of us really appreciate the role street art plays.
One of the pleasures for street art watchers is that every season a new batch of artists and work appear. New styles crop up, older styles wilt away, and there’s something for everyone.
We decided to compile a list of some of the most notable street art from the area in 2011. This is not a comprehensive survey but a taste of some of the exciting work that has been appearing on the streets of our dear borough.
For the original article of “The Best North Brooklyn Street Art of 2011” click here.
The committee’s main responsibilities will be to shape policy goals, stimulate arts philanthropy, and advocate for the expansion of federal backing of the cultural sector.
Some museumgoers pointed out that the museum’s label omitted discussions of HIV/AIDS, which are at the heart of the work.
Featuring over 70 installations and performances at the George Washington University’s historic Flagg Building, the Corcoran’s end-of-year showcase is now available for virtual viewing.
But a museum in Harvard is still named after a member of the disgraced family, notorious for its role in the opioid crisis.
Parker’s stories bring so many of her works alive, give them meaning, and make us warm to her and to them. Is that a problem?
Artists reflect on histories of oppressive power structures in Brazil in this exhibition at the Visual Arts Center at the University of Texas at Austin.
The works, and worlds, on display in Hancock’s exhibition seem saturated with a desire for narrative redemption through self-observation and aspects of his Christian upbringing.
The problem with Andrew Dominik’s biopic Blonde is its assumption that Monroe’s victimization was the most fascinating thing about her.
When I recently came across Sandra Cattaneo Adorno’s photo book Águas de Ouro, I could hear the waves and boomboxes, and even taste the salt on my lips.
Works by over 70 artists of the pan-South Asian diaspora were up for auction to help Pakistan’s most vulnerable communities in a women- and queer-led initiative.
The board of 70 Washington Street in Brooklyn, which previously housed an artist residency, is weighing the replacement of Helen Brough’s “Emulated Flora” with generic photographs of Brooklyn landmarks.