The Baltimore Museum of Art used the proceeds from recent auctions of deaccessioned works to acquire seven pieces for its collection in part or in full. It announced those acquisitions, along with the addition of another 16 works, on Tuesday. The acquisition includes works by Njideka Akunyili Crosby, Amy Sherald, Jack Whitten, Wangechi Mutu, Yun-Fei Ji, Adam Pendleton, Kenji Nakahashi, Chuck Ramirez, and more.
“Museums are entering a new era of heightened consciousness of incomplete histories and biases that must be addressed,” Chris Bedford, the Baltimore Museum of Art’s director, said in a statement. “In acquiring works by the most significant black and female artists working in the United States, as well as pivotal works from Korea, China, Mexico, and Japan, we hope to not only methodically address previous omissions in our collection but also broaden the canon and historical narrative told through art.”
Christie’s day sale of post-war to contemporary art in London brought in a total of £12,779,625 (~$16.7 million) today. The sale’s top lot, a 1957 painting by Pierre Soulages, fetched £2,888,750 (~$3.8 million).
The contemporary art evening auction at Sotheby’s in London on Tuesday night brought in a total of £110,239,550 (~$144 million). The sale’s biggest lots included two works by Jean-Michel Basquiat, a 1998 landscape painting by David Hockney, and the evening’s top lot was the Lucian Freud nude painting “Portrait on a White Cover” (2002–03), which surpassed its pre-sale estimate to hammer down at £22,464,300 (~$29.4 million).
The 20th century and contemporary art evening and day sales at Phillips auction house in London on June 26 and 27 brought in a total of £45,173,313 ($59,469,184). The top lot was a painting by Martin Kippenberger titled “Ohne Titel (aus der Serie Das Floß der Medusa)” (1996), which sold for £8,446,500 ($11,092,788).
Swann Auction Galleries‘ sale of revolutionary and president Americana from the collection of William Wheeler III brought in a total of $528,985. A letter Andrew Jackson sent to his adopted son Andrew Jr. sold for $9,375.
The University of Lethbridge Art Gallery received a bequest of more than 1,000 works from the estate of Dr. Margaret Perkins. The gift includes more than 400 works by Indigenous artists, particularly Inuit and Northwest Coast First Nations artists.
The Saint Louis Art Museum and the Minneapolis Institute of Art were gifted a number of Native American and South American textiles and art works from Paul and Elissa Cahn, two St. Louis-based collectors. The St. Louis Art Museum received 46 Diné (Navajo) works that include blankets, weavings, rugs, and other art pieces. Most of these works date from between 1868 and 1900. The museum also received Pueblo and Mexican textiles, which include blankets and garments worn and woven by indigenous Aymara peoples. These textiles date from the 16th to mid-19th centuries. An exhibition titled Southwest Weavings: 800 Years of Artistic Exchange is set to open in late 2018. The Cahns gifted the Minneapolis Institute of Art with 44 Native American textiles. The museum also received 14 watercolors made in 1904 depicting the textiles in the Cahns’ collection.
The Victoria & Albert Museum acquired one of Salvador Dalí and Edward James‘s famous “Mae West Lips” sofas.
The Pennsylvania Academy of Fine Arts launched a partnership with the Paulson Fontaine Press and announced the acquisition of nearly 40 works including pieces by Huma Bhabha, Violet Oakley, Loretta Bennett, and Kerry James Marshall.
Berlin’s Bode Museum restituted “Three Angels with the Christ Child,” a wooden sculpture from about 1430, to the heirs of a Jewish couple who fled the Nazi regime. The heirs agreed to sell the work back to the museum for an undisclosed price.
The Weatherspoon Art Museum at the University of North Carolina in Greensboro acquired works from the 20th and 21st centuries, including pieces by Sanford Biggers, Xaviera Simmons, El Anatsui, and Beverly McIver.
I won’t bother you with talk about how obscenely decadent and out of touch the Frieze art fair is. And yet…
Curators Tahnee Ahtone, La Tanya S. Autry, Frederica Simmons, Dan Cameron, and Jeremy Dennis offered the public a window into their curatorial processes through the work they produced during their fellowships.
Who says tragedy has to be tragic? Co-presented with National Black Theatre, this fresh, Pulitzer-winning take on a classic centers Black joy and liberation.
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Jeremy Dennis presents an exhibition to offer insight into his curatorial process.
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Dan Cameron presents an email exhibition to offer insight into his curatorial process.
For the triennial’s eighth edition, work by more than 70 artists is featured in 12 exhibitions and a polyphonic program, installed at various locations throughout the German city.
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Frederica Simmons presents an email exhibition to offer insight into their curatorial process.
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, La Tanya S. Autry presents an exhibition to offer insight into her curatorial process.
This exhibition explores the work and short-but-impactful life of the groundbreaking ceramic artist. Now on view at the New Orleans Museum of Art.
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Tahnee Ahtone presents an email exhibition to offer insight into her curatorial process.
This week: Why does the internet hate Amber Heard? Will Congress recognize the Palestinian Nakba? And other urgent questions.
Artist Dan Jian makes the point that landscapes and memory are one and the same.