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The VCUarts Kinetic Imaging MFA is a competitive two-year, studio-based program that supports six to eight artists each year. Each student has a private studio and 24-hour access to extensive facilities: media labs, sound studio, motion capture equipment, digital and analog animation studios, production room, green screen space. In addition, we support work with VR/AR, installation, real-time coding, projection mapping, gaming, video production, sound art, electronic music and synthesizers. KI boasts a close relationship to the Dance Department, allowing for exploration of the body, real and virtual.
Students have the freedom to expand their art practices and collaborate across different disciplines with close mentorship of full-time faculty: Stephen Vitiello, Bob Kaputof, Bob Paris, Semi Ryu, Kate Sicchio, Pamela Turner, Stephanie Thulin and Orla Mc Hardy, as well as access to visiting artists for critiques and studio visits. Recent visiting artists have included Peter Burr, Steina Vasulka, Pamela Z, Karen Yasinsky and Shelley Roden.
MFA Open House is on November 10. Application deadline is January 15, 2019. International students are asked to apply at least one month earlier. For information contact email@example.com. Follow us on Facebook and Instagram.
VCUarts is one of the nation’s leading arts schools, dedicated to advancing creative expression, supporting new scholarship, sparking innovation and deepening the role of the arts in society. Its visual arts and design graduate program has received top rankings by U.S. News & World Report. For more information, visit arts.vcu.edu.
An SFMOMA exhibition raises questions about what it means when museum board members have ties to politicians who support border wall policies.
The exhibition at the Jewish Museum delves into “degenerate” art and art made under duress as part of a thought-provoking yet diffuse exhibition.
In Philadelphia, a series of solo shows delves into the interdisciplinary practices of graduates whose work explores identity, familial bonds, political constructs, and nature’s fragility.
Despite his work’s apparent abstraction, Sheroanawe Hakihiiwe insists that “I don’t invent anything, everything I do is my jungle and what is there.”
David Uzochukwu, Kennedi Carter, and Kiki Xue are among the 35 artists whose work will be displayed online and at the festival in Milan, Italy.
On November 14, join Columbia University School of the Arts for virtual information sessions with the program chair, faculty, and staff.
No Vacancy, curated by Jody Graf, will be on view from October 26 through November 8 at the school’s Kellen Gallery in New York City.
To do so before they have returned the Maqdala treasures and the Benin Bronzes and the Easter Island statues and the Maori heads, before a coherent set of precepts for decolonization has been articulated, would affirm the wrong principle.
“Everybody in Mesopotamia, as far as I understand it, believed in ghosts,” said Irving Finkel, a curator of the British Museum’s Middle Eastern department.