The ISCP Fall Open Studios is a two-day exhibition of international contemporary art presented by 35 artists and curators from 23 countries currently in residence. This year’s Open Studios will take place November 9–10. Jonas Mekas, whose groundbreaking work has had a significant impact on the fields of film, poetry and art, will make remarks on November 9 at 7 pm.
ISCP 2018 Open Studios participating artists and curators are: Paul Barsch (Germany), Elaine Byrne (United States/Ireland), Danilo Correale (United States/Italy), Simone Couto (United States/Brazil), Marta Fišerová Cwiklinski (Czech Republic), Furen Dai (United States/China), Emily Floyd (Australia), Helene Førde (Norway), İnci Furni (Turkey), ektor garcia (United States/ Mexico), Jude Griebel (United States/Canada), Johannes Heldén (Sweden), Samuel Henne (Germany), Benjamin Hirte (Austria/Germany), Honza Hoeck (Denmark), Benedikte Holen (Norway), Esther Hovers (The Netherlands), Maria Hupfield (Canada), Stine Marie Jacobsen (Denmark), Remy Jungerman (The Netherlands/Suriname), Paul Kuimet (Estonia), Andy Leleisi’uao (New Zealand), Joshua Liebowitz (United States), Pauline Boudry / Renate Lorenz (Germany), Niko Luoma (Finland), Yann Pocreau (Canada), Linda Reif (Austria), Marius Ritiu (Belgium/Romania), Loup Sarion (France), Martha Skou (United States/Denmark), Jonas St. Michael (Canada), Elina Suoyrjö (Finland), Daniel Wagener (Luxembourg/Belgium), and Eero Yli-Vakkuri (Finland).
ISCP is New York’s most comprehensive international visual arts residency program. The program has supported the creative advancement of residents for over 20 years, with a robust program of private individual workspaces and extensive professional benefits.
Friday, November 9
Opening reception, 6–9 pm; guest speaker artist Jonas Mekas at 7 pm
Saturday, November 10
Open Studios 1–7 pm
What feels like the right way to write about Roman Catholicism, or Christian iconography, to most art critics is heavily influenced by museum discourse, which is far from neutral.
A group exhibition at the Americas Society investigates ideas of paradise, approaching the Caribbean region as a product of the visitor economy regime.
Join the New-York Historical Society on December 9 for a virtual conversation with Kellie Jones, Rujeko Hockley, and Cameron Shaw on the past, present, and future of Black art in the US.
Visual artists who incorporate psychedelics into their practices maintain a foundational understanding that there is more to reality than meets the eye.
Many in the local Ukrainian community want the museum’s name to be changed to reflect the many artworks in its collection by artists from former Soviet states.
The unique MFASA at the Institute of American Indian Arts offers mentorships with world-renowned Indigenous artists, flexible schedules, and access to one of the US’s cultural capitals.
Lisa Ericson renders her real-world subjects beautifully, but the situations in which we find them are uncanny, menacing, and unexpected.
Contemporary society in the United States normalizes the idea of the exhausted mother, so why wouldn’t mother nature be equally exhausted?
Tsai’s style is the opposite of boring; in demanding the viewer’s attention, he allows for incredible moments of human connection and discovery.
Over 4,000 artists have signed on to the event, with a nifty online directory listing paintings, sculptures, ceramics, and much more.