Come study at the top-ranked, flagship research university in the SUNY system. Our MFA and MA programs exceed traditional boundaries and encourage diverse practices, art and activism, and emerging fields.
We offer competitive and fully funded teaching assistantships with health insurance. Funding options include full tuition scholarships for MFA students and university funding opportunities for MA students.
Resources include a tier-one research university, the Beijing Graduate Exchange, Coalesce: Center for Biological Arts, studio space, access to departmental and interdisciplinary facilities, curatorial opportunities, and gallery space.
The MFA program provides an opportunity for students to combine creative work with scholarly interests to define their own unique practice. Faculty mentorship forms the core of the program, supplemented by frequent visits by artists, designers, and scholars from a wide range of disciplines.
The MA in Visual Studies is designed for students interested in visual culture, art history, critical theory, and science technology studies. This program combines scholarly and creative investigation of the production, circulation, and impact of visual and emergent forms.
Full-time faculty include Marc Böhlen, Millie Chen, Maximillian Goldfarb, Berin Golonu, Adele Henderson, George Afredzi Hughes, Matt Kenyon, Christopher Lee, Joan Linder, Gary Nickard, John Opera, Reinhard Reitzenstein, Stephanie Rothenberg, David Shirm, Shasti O’Leary Soudant, T. Triandos, Paul Vanouse, and Livingston V. Watrous.
Application deadline is Monday, January 15, 2019. For more information, visit buffalo.edu/apply.
As much as I appreciate the collective’s culture jamming initiatives, I don’t know that their putative premise ever bears meaningful fruit.
The banana’s dominance and ubiquity has had serious and far-reaching implications for the region, engendering exploitative labor systems, climate change, and migration.
The first lecture is on the relationship between early portrait photography and diverse notions of US identity during the Gilded Age. Register to attend on January 25.
Charles Dellheim’s study tells the tale of a small group of Jewish art dealers and collectors who played a key role in the changing art world of the 19th and 20th centuries.
The 18-month fellowship aims to provide artists with “as much access as possible” to the club’s facilities and networks “at a time and place convenient to artists.”
Part of the university’s Artists on the Future series pairing renowned artists with cultural thought leaders, this online event is free and open to the public.
A coalition of investors raised funds to purchase the film’s storyboard and announced they would “make the book public.”
A new project, “Emoji to Scale,” orders every mini-object by their real-world dimensions.
Although Khedoori does not depict living beings, their presence is evoked in the traces they leave behind.
The Bronx Museum’s fifth biennial continues to focus its programming on individual identity, eliding the ever-divergent interests of the art market and local communities.
While it may be strange to think of food insecurity as a basis for art, the works in Food Justice reveal barriers and injustices in food access.