Jason Andrew + Norte Maar present the seventh installment of Beat Nite: Bushwick Art Spaces Stay Open Late. This bi-annual night, now in it’s fourth year, continues to be an exciting showcase for art in the epicenter of the city’s young creative community.
Half art stroll, half bar crawl, alternative spaces and reputable galleries will once again welcome the public to see real art in real time, one night only on March 10, 6-10pm with an official after party at English Kills from 10-12pm.
Voted Best Neighborhood-wide Gallery Nite by L Magazine, Beat Nite has been a signature bi-annual party in Bushwick, which continues to be a place to make art far from the glitz and commercialism of the greater art world.
Jason Andrew + Norte Maar continue to put the spit on the art world where community counts more than commerce, the art is real and the people producing it are too.
Beat Nite is a proud participant of Armory Arts Week: Brooklyn Night.
Participating Spaces include: Norte Maar, Centotto, English Kills, Factory Fresh, AIRPLANE, Botanic, Microscope, Storefront Bushwick, Active Space, Art on Fire, Camel Art Space, Cojo Art Space, International Studio & Curatorial Program (ISCP), Small Black Door, Studio 10, Theodore Art, Valentine Gallery, 950 Hart Gallery and Parlour.
Visit nortemaar.org for the full list and links to participating galleries and to download the Beat Nite gallery map.
Beat Nite is sponsored by Hyperallergic, Bodega Wine Bar, Pernod Absinthe and WAGMAG’s “The Art & Absinthe Guide to Brooklyn.”
Join Hyperallergic for an online conversation with Kiowa Tribal Museum Director Tahnee Ahtone on January 25 at 7pm (EST).
This week, Patrisse Cullors speaks, reviewing John Richardson’s final Picasso book, the Met Museum snags a rare oil on copper by Nicolas Poussin, and much more.
Graduate students in the University of Denver’s Emergent Digital Practices program work on research with faculty who are engaged directly with their communities, both online and off.
Alexi Worth’s paintings demand a double take that allows viewers to look closer and begin dissembling the painting in order to understand what is being looked at.
Anastasia Pelias’s sculpture builds on this mythological legacy, suggesting we all have the ability to commune with a higher power and influence our futures.
Curated by Jill Kearney, this exhibition in Frenchtown, NJ amplifies stories both local and universal with work by Willie Cole, Sandra Ramos, sTo Len, and more.
Jack Spicer’s poetry can be deeply funny and playful but it has a consistent undercurrent of sadness.
Belinda Rathbone’s biography traces the sculptor’s embrace of kinetic mechanisms to his work in the Singer Sewing Machine factory.
The first lecture is on the relationship between early portrait photography and diverse notions of US identity during the Gilded Age. Register to attend on January 25.
It’s the first time in the country’s history that objects of this significance are offered for public sale.
Schwartz was at the forefront of computer-generated art before desktops or the kind of software that makes it commonplace today.
Curator La Tanya S. Autry shares a set of crucial questions she considers when curating images of anti-Black violence.