The death of FilmStruck late last year was a grim development for cinephiles, who’d quickly come to love the young site as a go-to source of classic, international, and arthouse films. Ahead of the closure, the Criterion Collection, which had partnered with FilmStruck, announced that it would be launching its own dedicated streaming channel this year. Heartening news, to be sure, but Criterion is a boutique label that is purposefully selective about what it distributes. There are thousands of independent and art films in need of some kind of push, and the major streaming sites like Netflix and Hulu are increasingly foregoing licensing in favor of producing their own content. These films may be made available on services like Amazon and iTunes, but it’s all too easy for them to get lost in the crowd there. A viable, dedicated platform for these films is needed.
Enter OVID, a recently announced partnership between academic documentary service Docuseek and six independent film distribution companies. Together, these partners — Bullfrog Films, Distrib Films US, Grasshopper Film, Icarus Films, KimStim, and First Run Features — control the rights to thousands of different documentary, arthouse, independent, and international titles. OVID will be an on-demand subscription service offering selections from these various catalogues.
OVID is planned to launch in March, at which point its slate will consist of hundreds of documentary titles. Fiction titles will be added in the summer, and further curated selections will be made available on a monthly basis. The site stresses that many of these films will be unavailable to see anywhere else. It promises to feature filmmakers Chantal Akerman, Chris Marker, Bill Morrison, Jean Rouch, Wang Bing, Bi Gan, Pedro Costa, Claire Denis, Bruno Dumont, Cheryl Dunye, Eric Rohmer, Raul Ruiz, and Jean-Marie Straub and Danièle Huillet.
Icarus Films president Jonathan Miller is set to act as director for the site. In a statement to Hyperallergic, he said: “We would like OVID to become the destination site for anyone interested in the films that all the other players, once they get big enough, are no longer showing much interest in: social issue and political documentary films from the US and around the world, and quality art, independent, and foreign-language fiction. Other smaller companies are trying to launch their own platforms, but we think a platform that brings together a diverse group of established, experienced companies will have a good (if not better) chance of success.”
Hopefully this gambit pays off, and a viable new channel for cinematic voices outside the mainstream can develop, or even thrive.
Arriving amid increased anti-Asian racism and continuing discourse about the inhumanity of its prison system, this documentary is a strong historical gut punch.
A “show within a show” at the Whitney Biennial pays homage to the visual and literary art of Theresa Hak Kyung Cha, whose life was cut short through an act of brutal violence.
The Newark Museum of Art Presents Jazz Greats: Classic Photographs from the Bank of America Collection
Photographers Antony Armstrong Jones, Milt Hinton, Chuck Stewart, Barbara Morgan, and more capture a breadth of legendary and local musicians and performance artists. On view through August 21.
Social media persona Sad Beige Werner Herzog presents a seemingly endless array of sniffling tots stuffed into gray, brown, and tan knits.
A new Bronx location for the Universal Hip Hop Museum is set to open its doors in 2024.
Art and photographs, publications from the 19th and 20th centuries, manuscripts, posters and more are set to cross the auction block on August 18.
Researchers at the University of South Florida have created a tool that can potentially help hone human concentration through the creation of art with only the power of the mind.
The settlement comes after Tate prevented an artist who exposed sexual harassment by one of its largest donors from co-curating an exhibition.
Let’s be honest: On a best bathrooms list, no one wants to be number two.
Advocacy groups are pushing for a 5% royalty in resales, which would pertain even after the artist dies, in which case the funds would go to their estate.
This week, the Getty Museum is returning ancient terracottas to Italy, parsing an antisemitic mural at Documenta, an ancient gold find in Denmark, a new puritanism, slavery in early Christianity, and much more.