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Week in Review is a weekly collection of news, developments, and stirrings in the art world. Subscribe to receive these posts as a weekly newsletter.
Conservators have identified an intact Leonardo da Vinci thumbprint on a medical drawing in Britain’s Royal Collection. The reddish-brown ink of the print matches that of the drawing, so conservators believe Leonardo “picked up the sheet with inky fingers,” calling it “the most convincing candidate for an authentic Leonardo fingerprint.” The drawing will be displayed at the National Museum Cardiff, and later the Queen’s Gallery at Buckingham Palace. [TAN]
Director of the British Museum, Hartwig Fischer, has come under fire for his comments during a recent interview with the Greek daily newspaper Ta Nea, in which he came to the defense of the removal of the Elgin Marbles from the Parthenon, saying, “When you move cultural heritage into a museum, you move it out of context. Yet that displacement is also a creative act,” adding, “The rediscovery is obviously part of European history,” He also denied the possibility of repatriation. George Vardas, secretary of the international association for the reunifications of the Parthenon sculptures called the comment an instance of “amazing historical revisionism and arrogance.” [artnet News]
The University of Notre Dame in Indiana has announced it will cover, but preserve, its 12 murals dedicated to Christopher Columbus, which were painted in the university’s main building over 130 years ago by Luigi Gregoni. In a public letter, Notre Dame’s president says, “Our goal in making this change is to respect both Gregori’s murals, understood in their historical context, and the reality and experience of Native Americans in the aftermath of Columbus’s arrival. We wish to preserve artistic works originally intended to celebrate immigrant Catholics who were marginalized at the time in society, but do so in a way that avoids unintentionally marginalizing others.” [Notre Dame]
The Birmingham Civil Rights Institute has re-invited activist and Birmingham native Dr. Angela Y. Davis to receive its highest award, the Fred Shuttlesworth Human Rights Award. It has issued a public apology for rescinding its nomination to Davis earlier this month, which Davis says she learned was due to her “long-term support of justice for Palestine.” The museum says the decision was made by the Board of Directors, “In keeping with its commitment to learning from its mistakes and in order to stay true to the BCRI’s mission.” [Huffington Post]
Earlier this week, El Museo del Barrio canceled its retrospective of Chilean filmmaker and artist Alejandro Jodorowsky’s work after evaluating remarks the artist has made publicly, over decades, about raping his co-star in the making of his 1970 film El Topo. Despite his explicit admission (“And I really … I really … I really raped her. And she screamed” and later, “I didn’t rape Mara, but I penetrated her with her consent”), Jodorowsky’s wife, Pascale Montandon-Jodorowsky, has come to his defense in a statement saying “words are not acts” and that her husband “never raped anyone.” Montandon-Jodorowsky was born in the same year Jodorowsky’s admission was published in the artist’s book about the film. [NYT]
The African nation of Angola has declined participation in the 2019 Venice Biennale, citing a nationwide redefinition of cultural budgets and priorities. Angola has participated in the Venice Biennale since 2013, in that year winning the Golden Lion, the fair’s highest award. [ANGOP]
The government shutdown prompted the Smithsonian Institute’s 19 museums to shutter for a 27-day period, closing its exhibitions to the public for nearly a month. However, the Hirshhorn Museum and Sculpture Garden in Washington, DC has extended its Charline von Heyl survey, Snake Eyes — set to close January 27 — through April 21. Charline von Heyl: Snake Eyes is the largest US museum survey of the artist’s work. [ARTnews]
The Iraqi Mosul Museum recently opened its doors for the first time since 2014. The building is known as the oldest government complex in Mosul and the second-largest museum in Iraq, and has been renovated to host its first exhibition, Return to Mosul, after the city was taken over by ISIS in 2014. [The National]
The Fine Arts Museums of San Francisco — comprising both the de Young and the Legion of Honor — will offer free general admission to SF residents on Saturdays, beginning April 1. The museums will also offer free general admission daily for any visitor with a disability plus one guest, and EBT cardholders. [Datebook]
Sotheby’s Masters Week sales in New York started off on a high note, with 170 paintings and drawings sold across two auctions, bringing in $67.8 million total. The Master Paintings Evening sale on January 30 brought in a total of $52,710,650. The sale’s top lot, Elisabeth-Louise Vigée Le Brun’s “Portrait of Muhammad Dervish Khan, Full-Length, Holding His Sword in a Landscape” (1788), sold for $7,185,900, setting the world auction record for any female artist of the pre-modern era.
This and other notable sales and acquisitions are chronicled in our latest Transactions story.
More News from This Week
- EU Official Demands Luxembourg Freeport Close Amid Money Laundering Allegations
- A 40-Year Initiative Brings the Art of Maximum-Security Prisoners to the Museum
- Divisive Amazon HQ2 Meeting Draws Hundreds to City Hall
- Ai Weiwei Slams US for “Complicity” in China’s Arrest of Two Canadian Citizens
- A New Film Studio Aims to Replace On-Screen Cigarettes with Kazoos
- More Than 75 New York Galleries Hit with Lawsuits Alleging ADA Violations
- Only Known Footage of David Bowie’s First TV Performance as Ziggy Stardust Is Found
- James Turrell Indefinitely Closes MoMA PS1 Skyspace
- The Artists and Journalists Nominated for the 2019 Freedom of Expression Awards
- The Smithsonian Reopens as Another Possible Shutdown Looms in Coming Weeks
- El Museo del Barrio Cancels Alejandro Jodorowsky Retrospective In Light of 1970s Rape Admission
- Diversity in Museum Leadership Has Marginally Increased Since 2015, New Survey Says
- Man Casually Steals Painting from Moscow Gallery in Broad Daylight
- Cal State LA Students Embark on Making Documentaries with Million Dollar Grant from Hauser & Wirth
- The Museum of Contemporary Art in Chicago Lowers Ticket Prices for Those Impacted by Gender Pay Gap
- The Smithsonian Loses $1 Million Every Week of the Government Shutdown
- Rashid Johnson’s Native Son Adaptation Acquired by HBO Ahead of Sundance Premiere
- In March, a Much-Needed Streaming Service for Arthouse Films Will Launch
- Naima Green Stacks Catherine Opie’s “Dyke Deck” with Images of Queer Contemporaries
- Banksy’s Shredded Painting Will Rotate Through the Galleries of a German Museum
- A Massive 17th-Century Painting Was Hiding in the Walls of an Oscar de la Renta Boutique
The University of Virginia researchers wrote that the data “provides compelling evidence that these symbols are associated with hate.”
We are waiting for spectacle and when the quotidian, yet incongruous actions occur I wonder whether there is any real payoff coming.
Hear from Holly Jean Buck, Carolina Caycedo and David de Rozas, Simon Denny, Elizabeth Hoover, Renee Kemp-Rotan, Joseph Kunkel, and more at this free public event.
Tanega’s approach to mark-making comes across as stream of consciousness, as if she’s engaged in a conversation with herself.
Starting Monday, readers can borrow one of 50 rare and out-of-print titles, mailed to them completely free of charge, from Saint Heron Library.
EFA Open Studios offers a portal into the creative habitats of over 65 artists working in Manhattan’s longest-running studio program, including Dannielle Tegeder, Wafaa Bilal, Cui Fei, and Anina Major.
This is Yuskavage’s great gift, turning upside down our settled ways of thinking and seeing and, with ease, transforming the vulgar and ridiculous into the sublime.
51 international publishers and galleries showcase their latest editions in prints and artists’ books at this free public fair, which is fully online this year.
While hardly about the pandemic, or any of the other crises so afflicting us, all are invoked in this exhibition, which is also often tender and profoundly soulful.
These glowing, dynamic artworks reproduce something of Bosch’s chaotic energy, but on an immersive, multi-sensory scale.
This week, addressing a transphobic comedy special on Netflix, the story behind KKK hoods, cultural identity fraud, an anti-Semitic take on modern art, and more.