Speechless is an evolving series that reviews, discusses and/or comments on art works and exhibitions using images, screenshots, videos and other visuals. To guarantee that the sources are not lost, the information for each image is available when you roll-over it and/or when you click through. All images with no click throughs were taken by the author.
Arne Quinze has been extended at the Vicky David Gallery (522 West 23rd Street, Chelsea, Manhattan) until Saturday, April 14.
The Latest
Notes and Pictures From Frieze New York
I won’t bother you with talk about how obscenely decadent and out of touch the Frieze art fair is. And yet…
Hyperallergic 2021/22 Emily Hall Tremaine Journalism Fellowship for Curators
Curators Tahnee Ahtone, La Tanya S. Autry, Frederica Simmons, Dan Cameron, and Jeremy Dennis offered the public a window into their curatorial processes through the work they produced during their fellowships.
FAT HAM at the Public Theater Spins Shakespeare Into a Celebration of Community
Who says tragedy has to be tragic? Co-presented with National Black Theatre, this fresh, Pulitzer-winning take on a classic centers Black joy and liberation.
Shinnecock — Backward | Forward
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Jeremy Dennis presents an exhibition to offer insight into his curatorial process.
Surrounding Chiloé
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Dan Cameron presents an email exhibition to offer insight into his curatorial process.
Triennial of Photography Hamburg Reflects on Currency
For the triennial’s eighth edition, work by more than 70 artists is featured in 12 exhibitions and a polyphonic program, installed at various locations throughout the German city.
I Will Be A Witness: Bessie Harvey and Alternative Legacies in American Feminist Art
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Frederica Simmons presents an email exhibition to offer insight into their curatorial process.
Notes on Beholding, Black World Making
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, La Tanya S. Autry presents an exhibition to offer insight into her curatorial process.
NOMA Presents Katherine Choy: Radical Potter in 1950s New Orleans
This exhibition explores the work and short-but-impactful life of the groundbreaking ceramic artist. Now on view at the New Orleans Museum of Art.
Important Kiowa Murals Tell the Story of a People
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Tahnee Ahtone presents an email exhibition to offer insight into her curatorial process.
Required Reading
This week: Why does the internet hate Amber Heard? Will Congress recognize the Palestinian Nakba? And other urgent questions.
Memories Remade With Charcoal and Ash
Artist Dan Jian makes the point that landscapes and memory are one and the same.
This is a great post Robert! Such a great group of images!
I screwed up. The rollovers for 14 and 15 are incorrect.
14 (the one after Quinze’s “Bidonville View”) should read: Unified distance matrix of the risk level assessment map, based on an artificial neural network model.
via sciencedirect:
http://www.sciencedirect.com/science/article/pii/S0379711211001652
15 should read: Closeup view: Sam Songailo, “Media Centre Installation” (2010)
via SpaceInvading:
http://www.spaceinvading.com/entry/project_id/Installation201007141279163866