Eileen Hogan, Chelsea Physic Garden 2, 8 September 2016, (2018), oil, wax, and charcoal on paper, mounted on board, Collection of the artist.

On view at the Yale Center for British Art is the first North American survey of the work of Eileen Hogan. The exhibition examines Hogan’s artistic process and feature sketchbooks alongside finished paintings. While a steadfast figurative artist throughout her career, two dominant subjects have emerged in Hogan’s work in recent years: gardens and portraiture. Her interest in gardens was inspired by private squares in London, encountered on her regular walk between her home and studio and, later, by her repeated visits to Little Sparta, the garden created in the Pentland Hills near Edinburgh, Scotland, by the artist and poet Ian Hamilton Finlay. The exhibition also includes the works that emerged from Hogan’s time as artist-in-residence at the Garden Museum in London during 2015–16, when friends and colleagues were invited to nominate a favorite green space in London.

It was at Little Sparta that Hogan’s interest in formal portraiture was kindled. She happened to be present while an oral historian was recording Finlay, and she began to sketch the poet’s different expressions as he spoke. She has subsequently drawn and painted Finlay many times, and in fact, continues to paint many people of note while they are being recorded. The resulting portraits are insightful depictions of the sitters at their most vulnerable, captured as they narrate their lives—a pioneering approach that alters the dynamics of the encounter as well as the resulting work.

Eileen Hogan: Personal Geographies is on view at the Yale Center for British Art from May 9 to August 11, 2019. A fully illustrated book accompanies the exhibition and is available for purchase in the Museum Shop.

For information, please visit britishart.yale.edu/eileen-hogan-personal-geographies.

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