Week in Review is a weekly collection of news, developments, and stirrings in the art world. Subscribe to receive these posts as a weekly newsletter.
As Paris preps for the 2024 Olympic Games, architect Kathryn Gustafson will create a new park surrounding the Eiffel Tower and spanning 100 acres across Paris, making it the city’s largest green space. It will refigure the Pont d’Iéna, a bridge that links Paris’s left and right banks and leads to the tower, into a pedestrian-only walkway. “In a city this dense, we need to have large open spaces to take a breath,” Mayor Anne Hidalgo said in a statement. The project will cost around €72 million (~$80.5 million) to create. [Architectural Digest]
On Monday, May 20, Paris’s Eiffel Tower was evacuated and closed after a man began scaling the monument, which stands 1,063 feet above the ground. Tourists and diners in the tower’s restaurant said they were ordered to evacuate when the climber was discovered. He reached just below the third and highest tier of the tower, refusing to come down, where he was confronted by a rescuer. It is still unclear what the climber’s motivations were. [Courthouse News]
On Tuesday, May 21, House Democrats unveiled a bill to increase funding for the National Endowment for the Arts and the National Endowment for the Humanities. The new bill proposes that both receive $167.5 million, an increase of $12.5 million from current budgets. In Trump’s 2020 budget, he suggested eliminating the National Endowment for the Arts and National Endowment for the Humanities. The budget request explains: “The Administration does not consider NEA activities to be core Federal responsibilities,” citing non-profits and private philanthropy as alternatives. The Democrats’s bill also suggests an increased budget for the Smithsonian Institution and Woodrow Wilson International Center for Scholars, which Trump also proposed to cut. [The Hill]
The Prado Museum in Madrid is putting together a large-scale disaster protection plan to account for emergencies including fires, theft, or terrorist attacks, including a “a massive evacuation plan” for the artwork. The museum has funneled €55,600 (~$62,000) into the project. The plan will prioritize which artworks should be saved, listing the 250 most important pieces in the Prado’s collection, and create internal emergency teams to account for works like Diego Velázquez’s “Las Meninas.” In the face of the National Museum in Brazil’s devastating fire in September 2018, and the recent fire at the Notre Dame Cathedral in Paris, the protection of precious artifacts in case of emergency has become a continuing conversation in global museums. [El País]
Sotheby’s Aboriginal art sales will relocate from London to New York, making it the first international auction house to offer Indigenous Australian art outside of Australia or Europe. The sale will range from historical objects to contemporary art, including early work by Emily Kame Kngwarreye. Sotheby’s first Aboriginal art sale occurred in 1997 in Sydney. [Sotheby’s]
Over the years, Georgia has become a haven for the production world; many major films and televisions shows are produced in the southern state. But amidst national outcry surrounding reproductive rights, Hollywood actors and directors have made calls to boycott the state of Georgia, which recently instituted a “heartbeat bill,” effectively criminalizing abortions after six weeks of pregnancy. The future of film production in the state remains in a lurch. [NYT]
This winter, Art Basel Miami will introduce a section for monumental works, similar to the editions of the fair in Basel and Hong Kong. The section, titled Meridian, will gather 30 large-scale works organized by Magali Arriola, who curated the Mexican Pavilion at this year’s Venice Biennale. [via email announcement]
More News from This Week
- Middle Schoolers Reported Racism from Staff and Patrons During a School Trip to Boston’s Museum of Fine Arts
- Artists Use Liquor Bottles and Inflatable Tanks to Highlight the Pain of Tiananmen Square Protests
- This Summer, Public Benefits Recipients Can Visit San Francisco Museums for Free
- Banksy Sets Up an Unauthorized Art Stall in Venice
- Will Washington DC’s Art Commission Fall Victim to a Fight Between the Mayor and City Council?
- MOCA Los Angeles to Implement a Free Admission Policy
- Workers at the Brooklyn Academy of Music Move to Unionize
- Cindy Sherman and Catherine Opie Unveil a Joint Project of Wearable Art
- After a Protest at the 2019 Whitney Biennial Opening, Activists March to Warren Kanders’s Townhouse
- An “Alternative Museum Guide” Explains the Kanders Controversy to Whitney Biennial Visitors
Artist Minouk Lim wants to offer a very different perspective on how one might deal with a grim history whose effects continue to be felt in the present.
This week: Should Washington have a national memorial for gun violence? Have cats used us to take over the world? What is Cluttercore? And more.
Organizers, artists, and land practitioners are holding public events at Iglesias Garden in a hub space supported by the Climate Justice Initiative, a project of Mural Arts Philadelphia.
The artist’s style blends aesthetic and cultural elements from Ghana, London, and New York’s graffiti scenes.
Workers told Hyperallergic that they were tired of meager pay and a lack of job security.
Jo Sandman / TRACES opens with a reception for the artist on June 3 at Black Mountain College Museum + Arts Center in Asheville, North Carolina.
Authorities say Jean-Luc Martinez helped facilitate the Louvre’s purchase of objects illegally pillaged during the Arab Spring.
The suspects attempted to take a Basquiat artwork valued at $45,000 from Taglialatella Galleries but instead made off with a half-empty bottle of whiskey.
Funding MFAs and all full-time graduate degrees, the Paul & Daisy Soros Fellowships for New Americans supports immigrants and the children of immigrants in the US.
From music and architecture to comedy and horror, these films showcase Ukrainian culture and its long-held ethos of resistance.
The artists showcased in Archival Intimacies examine the colonial trauma’s impact on Asian Americans and search for ways to overcome it.
Eiffel inadvertently paints its protagonist not as a great man worthy of scrutiny or praise, but as the Elon Musk of his day.