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Week in Review is a weekly collection of news, developments, and stirrings in the art world. Subscribe to receive these posts as a weekly newsletter.
On June 10, anti-oil activists blocked the entrance of the National Portrait Gallery to protest BP‘s sponsorship of the prestigious Portrait Award. Dozens of protesters blocked entry to the gallery for guests of the ceremony, linking arms and chaining themselves to the gallery gates. Guests were forced to climb over the wall with the assistance of security in order to enter the gallery. | Hyperallergic
Inspired by the recent Extinction Rebellion climate change protests in the UK, one of the judges of the BP Portrait Award, artist Gary Hume, wrote a letter to the National Portrait Gallery calling for the end of BP’s sponsorship at the museum, saying: “This is the 30th year of BP sponsoring the Portrait Award, and I would argue that 30 years is enough. As the impacts of climate change become increasingly apparent, the Gallery will look more and more out of step by hosting an oil-branded art prize.” A group of eight former winners, shortlisted artists, and exhibitors in the BP Portrait Award, also wrote to the museum, urging them to cut ties with British Petroleum. | Hyperallergic
On June 12, Hong Kong’s pavilion at the Venice Biennale closed for the day to join a strike against the highly contested proposed extradition bill, which would allow extraditing fugitives to mainland China. About 100 Hong Kong arts organizations, including commercial galleries, participated in the strike. | Hyperallergic
The New York Times will no longer publish daily political cartoons in its international edition. | NYT
A group of 15 activists occupied the galleries of El Museo del Barrio during its 50th-anniversary celebration on June 11. In front of political artworks, they read out the Mirror Manifesto, an open letter that Latinx activists released in April in an attempt to steer the museum back toward its roots as a community-based institution. | Hyperallergic
Andrea Bowers’s Art Basel installation, Open Secrets, details sexual assault allegations that have come to light in the wake of the #MeToo movement, but came under fire for using the likeness of a survivor after her assault, without permission. After the victim posted her discomfort with the situation, leading to intense social media scrutiny, the panel was removed. | Hyperallergic
Museums in Brazil have been spared from right-wing President Jair Bolsonaro’s Rouanet Law, which will minimize federal funding for cultural projects. The annual funding budget per project will be reduced from 60 million Brazilian real (~$15.6 million) to 1 million Brazilian real (~$260,000), “but museums, material and immaterial heritage projects, conservation initiatives and some entertainment productions will be exempt,” according to the Art Newspaper. | TAN
On June 12, haunting installations about child immigrant detentions appeared across New York City. RAICES, an immigration legal services nonprofit, placed 24 #NoKidsInCages installations in front of media companies, cultural institutions, and other busy New York landmarks. | Hyperallergic
Antoni Gaudí‘s Sagrada Familia has finally received its first building permit from the city of Barcelona, despite being under construction since 1882. The UNESCO world heritage site will pay €4.6 million (~$5.2 million) to the city for the permit, as well as an additional €36 million (~$40.6 million) for its past construction. | Dezeen
Around 90 art handlers and facilities staff at the Solomon R. Guggenheim Museum have announced their intention to unionize. “There’s no recourse here,” one art handler told Hyperallergic. “It’s about lack of transparency; we have no autonomy and no voice. If we enter negotiations, then we can set a standard.” | Hyperallergic
Staff members at the Frye Museum in Seattle will hold a union election on June 18, after the institution declined to voluntarily recognize their Art Workers Union. | Hyperallergic
Washington, DC’s Phillips Collection has acquired a major collection of Nabi art, including two portfolios and more than 40 paintings and works on paper. The gift comes from Roger Sant and his late wife Vicki, a former trustee at the museum. The Nabis were a group of European artists in the late 19th century who were inspired by Paul Gauguin, and this collection includes works by Félix Vallotton, Pierre Bonnard, Edouard Vuillard, and Maurice Denis, among others.
This and other notable sales and acquisitions are chronicled in our latest Transactions story.
Hyperallergic is commemorating Pride Month by featuring one contemporary queer artist per day as part of a series, Queer Artists in Their Own Words.
Eyebeam’s 2020 Residency Open Call asks applicants, “How do acts of refusal manifest in one’s life and work poetically or directly?” Individual or collaborative projects are welcome to apply to create experimental, interdisciplinary works that fuse art and technology. The residency will run from January 2020 through June 2020, with a $22,000 stipend offered to all residents. Applications are due June 21. | Eyebeam
Learn about other opportunities you can apply for this month in our latest “Opportunities for Artists in June 2019.”
This Week in the Art World
The Asian Cultural Council (ACC) announced the recipients of 2019’s China and Hong Kong Fellowships. Nikita Cai, Chen Li, Yu Ji; Birdhead, Gu Jiani, and Sun Shimeng are the 2019 China fellows. Au Hoi Lam, Enoch Cheng, Mak Kai Chung (Mike Orange), Wayson Poon, Lau Ho Chi, and Thomas Hung are this year’s Hong Kong fellows. | Artforum
Jo Baer is now represented by Pace Gallery. | via email announcement
Amada Cruz was appointed director of the Seattle Art Museum. | Seattle Art Museum
Rochelle Feinstein is now represented by Sperone Westwater Gallery. | ARTnews
Richard Flood, the New Museum’s director of special projects and curator at large, has retired. | ARTnews
Goodman Gallery will open a space in London this fall. | via email announcement
Russell Granet was appointed president & CEO of the New 42nd Street, a nonprofit theater in New York. | via email announcement
Luzene Hill is the recipient of the Fall 2019 Ucross Fellowship for Native American Visual Artists. | via email announcement
Annie Leibovitz is now represented by Hauser & Wirth. | The Art Newspaper
Susan Meiselas was awarded the inaugural Women in Motion Award. | WWD
Gagosian will open its 17th gallery, in Basel, Switzerland. | ARTnews
The Gordon Parks Foundation is now represented by Alison Jacques. | via email announcement
Chakshu Patel was named director of institutional advancement at the Studio Museum in Harlem. | via email announcement
James R. Wehn was named the Van Vleck Curator of works on paper at the Chazen Museum of Art at the University of Wisconsin-Madison. | ARTnews
Rein Wolfs is the new director of the Stedelijk Museum in Amsterdam. | New York Times
Daisy Youngblood is now represented by Van Doren Waxter Gallery. | ARTnews
Patricia Battin (1929–2019), librarian who pioneered digitization | NYT
Yannick Bellon (1924–2019), feminist filmmaker | NYT
Bushwick Bill (1966–2019), rapper and record producer | Vulture
Lewis B. Cullman (1919–2019), investment banker and arts patron | AV Press
Terese Hayden (1921–2019), creator of the Players’ Guide to help actors find work | AV Press
Jiggs Kalra (1947–2019), food writer | Business Times
Mary Max (1966–2019), wife of the pop artist Peter Max | NYT
Velvel Pasternak (1933–2019), musicologist who preserved Hasidic tradition | NYT
Joyce Pensato (1941–2019), painter known for her interpretations of pop culture cartoon figures | Artforum
Murray Polner (1928–2019), editor and writer | NY Daily News
Mac Rebennack (1941–2019), New Orleans musician | Rolling Stone
Tsuruko Yamazaki (1925–2019), founding member of the Gutai Art Association, an avant-garde multidisciplinary and performance art collective | Artforum
This week, the scourge of immersive exhibitions, the popularity of anti-vax deathbed videos, the pregnant man emoji, Chomsky on Afghanistan, Met Gala commentary, and more.
It seems like we broke the ice to a growing consciousness that the status quo isn’t going to work.
Over 50 years of the artist’s video and media work on how images, sound, and cultural iconography inform representation is on view through December 30.
Nate Chastain, OpenSea’s head of product, was ousted on Twitter by a user who posted questionable transactions from his wallet.
The 40-year relationship that unfolded between Toklas and Stein became the bedrock of Paris’s artistic avant-garde.
Over the course of three months, the resident artists in Going to the Meadow will collaborate and create with a curated set of continually changing materials.
Fifty works, all created by women, are brought together across time and media as the Norton Museum of Art reckons with the art world’s patriarchal past and present.