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This mixed-use tower, L’Arbre Blanc, is designed by Sou Fujimoto is association with Nicolas Laisné, Dimitri Roussel and OXO Architectes. It’s modelled on the shape of a tree and the balconies cantilever out like branches. See more images at Dezeen (via Dezeen)

  • Happy Pride Day! Let’s start this week’s Required Reading with a “coming out” story of sorts. This one is written by Shannon Keating and it’s titled:

The Time I Went On A Lesbian Cruise And It Blew Up My Entire Life

So now I will tell you what happened:

The moment the dressing-room door is closed, he lunges at me, pushes me against the wall, hitting my head quite badly, and puts his mouth against my lips. I am so shocked I shove him back and start laughing again. He seizes both my arms and pushes me up against the wall a second time, and, as I become aware of how large he is, he holds me against the wall with his shoulder and jams his hand under my coat dress and pulls down my tights.

In 2016, a study by Warwick Business School used Flickr uploads to analyze the relationship between photos of street art and London property values. “[T]he researchers’ analysis revealed that neighborhoods with a higher proportion of ‘art’ photographs also experienced greater relative gains in property prices.”

And in America, as crime dropped in the 1990s and affluent college graduates enacted a great migration from the suburbs to the country’s cities, graffiti became the literal poster board for the “authentic” urban culture they were seeking—driving up prices along the way. It was only a matter of time before the artists themselves got wise.

I found you when I was actively searching for poetic predecessors on the island, out from my mother’s profound disillusionment with the misogyny of the Nuyorican poetry scene in which she participated in the ’70s. I had just begun translating Marigloria Palma’s work from the same period as a kind of evasion or alternate route, depending on the day. Google took me to you through her: I found you reading her poems about New York on YouTube—“Nueva York con paloma.” Spanish doesn’t lie about the fact that “doves” and “pigeons” are the same birds, so the shared word is able to embrace both romance and contamination, an urban intimacy.

These are only some of the ways that the administration of which Kushner is part has made its contempt for the Palestinians apparent. In recognizing Jerusalem as Israel’s capital, it has unilaterally taken an issue Israel is treaty-bound to negotiate with the Palestinians off the table, and reversed seventy-plus years of US policy, while ignoring an international consensus that the city’s final status would be subject to a mutually acceptable peace agreement. The Trump administration has also explicitly avoided endorsing a two-state solution or any form of Palestinian sovereignty, positions Kushner reiterated in his interview. It closed the Palestinian mission in Washington, D.C., and cut off US aid to the Palestinian Authority. It claimed that, contrary to the status of all other refugees since World War II, the descendants of Palestinians, declared refugees in 1948, are not themselves refugees. Finally, in endorsing Israel’s annexation of the Golan Heights, the Trump administration has cleared the way for the annexation of whatever parts of the West Bank Israel should choose to swallow up.

In the case of social platforms, their power is over the currency of democracy: information. Nearly 70 percent of American adults say they get some of their news via social media. That’s a huge shift not just in terms of distribution, but in terms of quality control, too. In the past, virtually all the institutions distributing news had verification standards of some kind, no matter how thin or compromised, before publication. Facebook has none. Right now, we could concoct almost any random “news” item and, for as little as $3 a day to “boost” it via the platform’s advertising engine, get it seen by up to 3,400 people each day as if it were just naturally showing up in their feed.

On April 16, 1862, President Abraham Lincoln signed a bill emancipating enslaved people in Washington, the end of a long struggle. But to ease slaveowners’ pain, the District of Columbia Emancipation Act paid those loyal to the Union up to $300 for every enslaved person freed.

That’s right, slaveowners got reparations. Enslaved African-Americans got nothing for their generations of stolen bodies, snatched children and expropriated labor other than their mere release from legal bondage.

In fact, Fort Sill has a long history of holding children.

It was established in 1869 for U.S. soldiers fighting Native Americans. In 1894, eight years after Apache leader Geronimo had surrendered, he was transferred to Fort Sill. He was joined by nearly 400 other Apaches, including women and children. They could move freely inside Fort Sill’s large area, and some, including Geronimo, were allowed to leave to perform in Buffalo Bill’s Wild West Show. But they were still considered prisoners of war.

  • I have no idea but OMG:

Required Reading is published every Sunday morning ET, and is comprised of a short list of art-related links to long-form articles, videos, blog posts, or photo essays worth a second look.

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Hrag Vartanian

Hrag Vartanian is editor-in-chief and co-founder of Hyperallergic. You can follow him at @hragv.