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Banksy strikes again, this time at Britain’s most popular music festival. On Friday evening, British grime rapper Stormzy performed at the Glastonbury music festival in Somerset in the United Kingdom while donning a “stab-proof vest” designed by none other than the elusive street artist. The vest, painted with a monochromatic version of the Union Jack flag, is a commentary on the wave of knife crimes in the country.
“Last night I headlined Glastonbury in a stab-proof vest custom made by the greatest, most iconic living artist on planet earth, the one and only BANKSY,” Stomzy wrote in an Instagram post. Banksy, on his end, posted a backstage picture of Stormzy wearing his vest with the caption: “I made a customised stab-proof vest and thought – who could possibly wear this? Stormzy at Glastonbury.”
After his performance of Friday, Stomzy became the first Black British artist to headline Glastonbury in its 49-year history. At age 25, he is also one of the youngest solo acts to be featured at the festival, second only to David Bowie, who was 24-years-old when he performed at Glastonbury in 1971.
In another political moment, Stormzy’s performance sampled fragments from a speech by Labour politician David Lammy on the disproportional incarceration of Black citizens in the UK while crime statistics flashed on the screens behind the rapper. “The system isn’t working,” Lammy is heard saying, “if recidivism rates are 46% for black men, then something isn’t working.” Later on, Stormzy invited Black ballet dancers on stage, noting that ballet shoes made to match dark skin tones were not available until recently.
??? @stormzy using his headline spot at #glastonburyfestival2019 to speak out about the injustice of young black kids being criminalised in a biased and disproportionate justice system. Humbled and inspired that he sampled my speech. Salute #Merky pic.twitter.com/iSG3PMssrd
— David Lammy (@DavidLammy) June 28, 2019
Tonight @Stormzy made history by being the first black solo British headliner at Glastonbury. The performance was political, iconic and the ballet was beautifully powerful. It won’t just go down in Glastonbury history – it’ll go down in our country’s cultural history. #Glasto2019 pic.twitter.com/pmRt5OuqBI
— Jeremy Corbyn (@jeremycorbyn) June 28, 2019
In his previous performance at the festival in 2017, the politically outspoken South London MC criticized Theresa May’s government for failing to support the families that have been affected by the Grenfell Fire in West London, which took the lives of 71 people. “We urge the authorities to tell the fucking truth, first and foremost,” Stormzy said on stage. “We urge them to do something. We urge the fucking government to be held accountable for the fuckery, and we ain’t gonna stop until we get what we deserve.”
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Renty and his daughter Delia. Renty was an enslaved African, kidnapped from the Congo, sold and forced into slave labor on the South Carolina plantation of B.F. Taylor
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As a scholar of African American history and photography whose work has focused on the status of violent images in museums and archives, I fully support the validity of Ms. Tamara Lanier’s claim and the amicus brief.
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We cannot be indifferent to the long-lasting effects of photography. The photographs at the center of Lanier v. Harvard are relentless in making Renty and Delia Taylor work and perform as slaves. The pain inflicted on them has not ceased. Photography has the capacity to propagate harm, and we have the moral obligation to interrupt…