LOS ANGELES — With the holiday season right around the corner, Blum & Poe’s second annual Acid-Free Art Book Market was the perfect place to find gift-giving inspiration. More than 90 vendors laid out a plethora of unique, intricately designed books that would upgrade any art lover’s coffee table. There were stunning feats in book binding, eye-popping graphic design, and rare limited edition prints. Acid-Free also brought forth booksellers in tune with our current cultural and sociopolitical zeitgeist, offering art books on detention center architecture, monographs in translation, and new underground periodicals written by people living in the margins.
While the book market has come to a close, you can still find these titles in your local bookstores and online. Below are some highlights that will add a new dimension to your bookcase or pleasantly surprise at a White Elephant exchange.
Contemporary Suburbium by Ed and Deanna Templeton (Nazraeli Press)
The pages of this book, sandwiched between unbound hard-covers, unfold like an accordion. The collection is a two-in-one combination of contemporary photography from husband-and-wife duo Ed and Deanna Templeton. Known for illustrating Southern California life through skateboarding (Ed) and leisure (Deanna), this collection of suburban slices of life from Huntington Beach shows the slow-changing, simplicity of days spent in tract housing. Though most of the photos have been taken in the last two years, the black and white duotone pages portray Orange County as a nostalgic wonderland.
Beatriz Gonzaléz: Diary Of Guernica / Diary Of A Senseless Work (Zolo Press)
In 1981, Colombian artist Beatriz Gonzaléz reimagined Pablo Picasso’s “Guernica” as a massive, 40-foot-wide tiled mural called “Mural Para Fábrica Socialista.” Over the course of the year it took to complete the project, Gonzaléz chronicled her labor, musings, and creative process in a diary, which Mexico City-based Zolo Press has translated and published in conjunction with Gonzaléz’s first large-scale retrospective in the United States at the Pérez Art Museum Miami. In addition to the diary, Zolo Press released a limited-run audiobook in LP format. The cover of the 280 editions are to-scale fragments of Gonzaléz’s mural, and are signed by the artist herself.
Dan Graham: Drawings 1965–1969 (Publication Studio)
There were a number of Dan Graham books at Acid-Free, signaling the conceptual artist’s enduring legacy. Though Graham is well known for his architectural interventions, notably spiraling glass pavilions that blur the line between a sculpture and building, Publication Studio instead reproduces Graham’s lesser viewed graph and typewriter drawings. The minimalist, geometric designs show the kinship between Graham and other artists he championed, like Sol LeWitt and Donald Judd. Originally published in 1990 for an exhibition at Galerie Bleich-Rossi in Graz, Austria, the book also includes reproductions of German-language advertisements that ran in the original catalogue.
The Contemporary Zeitgeist
Undocumented: The Architecture of Migrant Detention by Tings Chak
Chak is a Hong Kong-born multidisciplinary artist and migrant justice organizer based in Toronto, and created this illustrative book as a way of charting detainees journeys through Ontario detention centers. “In these pages, you will find an incomplete view into the world of migrant detention in Canada, explored at scales descending from physical landscapes to the human body,” Chak writes. The architecture is striking in its banality; bureaucratic, sterile, and repetitive, a detention center is a mind-numbing maze with few windows and omnipresent security cameras. Chak also includes an interview with Martin, a former detainee from Gambia, who was held for 36 months without charge or trial. Martin led a hunger strike that led to the creation of Canada’s End Immigration Detention Network, to which Chak donates all the royalties from the sale of this book.
The HIV Howler, edited by Althea Black and Jessica Whitbread
In the spirit of grassroots publications that thrived in the 1980s and early ’90s, Black and Whitbread have created a periodical exclusively featuring contributions from writers with HIV Positive statuses. The HIV Howler’s tagline, “transmitting art + activism,” acutely describes how the paper gives artists a platform to speak on the issues’ themes like ”criminalization-medicalization,” which juxtaposes how medical institutions villanize HIV/AIDS patients, but also gatekeeps access to medical treatment, and “mentor-mother,” women healthcare workers living with HIV who educate positive mothers and pregnant women who may be raising a child with HIV. Black, who lead a discussion at Acid-Free, told Hyperallergic that she sees the newspaper “as a curatorial project for artists with HIV, and it expands the conversation past the hubs of NYC and San Francisco. We publish globally.” Contributors hail from Poland, Brazil, Taiwan, Puerto Rico, and more. Currently, The HIV Howler’s biggest obstacle is funding shipments worldwide, and purchasing an issue for $5 helps Black and Whitbread freely distribute the publication abroad.
Molatham by Scott Caruth (Trolley Books)
In Arabic, the word molatham literally translates as “to cover one’s face,” but in the West Bank, the phrase is used to describe anyone resisting Israeli Occupation. In a book-length monologue, Caruth offers a meta examination of portrait studios in Palestine, places where people who typically remain anonymous out of fear of persecution. Molatham documents six years of research Caruth conducted in two prominent Palestinian photography studios, tracing subjects’ paths from standing in front of the lens to their likeness being mass distributed on the streets.
An Atlas of Rare & Familiar Colour (Atelier Éditions)
This book highlights pieces from the collection of rare pigments preserved at the Straus Center for Conservation and Technical Studies at Harvard University. The center has more than 2,500 pigments, and, according to an Atelier Éditions representative at Acid-Free, “shows the impact of color pigmentation through art history.” While popular in their day, some pigments could never pass FDA regulations in the present; bright yellows contained monkey urine, and rich greens used for textile dyes pulled their color from poisonous arsenic. “Pigments affects how art looked, produced, and conceived in that specific time and tells a story.”
Discovering Peary Land by Todd R. Forsgren
Forsgren, who was managing his table at Acid-Free, described his book as “an imagined journey to Greenland comprised of archived photos and maps smeared by polar projections.” Between 1891-92, Robert E. Peary made an expedition to Peary Land, a remote peninsula in Northern Greenland, and put it on the map — with great cartographic errors that directly led to the demise of other arctic explorers. It would take 20 years to correct his mistakes and make the polar desert navigable. Though Peary Land is now home to a small research station, it remains difficult to reach, and satellite imagery struggles to recreate the landscape on Google Maps. Forsgen’s book is divided into three parts: the first uses Peary’s archival images to tell a fictional story of its discovery, the second showcases Peary Land’s glitched, technicolor projections, and the last part culls geotagged photos from Flickr, which place palm trees and bustling waterfronts in desolate Greenland.
The New Woman’s Survival Catalog, edited by Kirsten Grimstad and Susan Rennie (Primary Information)
First published in 1973, this guide to womanhood — from abortion, to marriage, to art, to self-defense — was an influential text of the second-wave feminist movement. Inspired by Stewart Brand’s Whole Earth Catalog, which advocated for self-sufficient, countercultural living and shared how to obtain products and resources to do so, The New Woman’s Survival Catalog compiled a vast network of safe spaces for women and recommended art, film, and books that pushed an aspirational cultural shift towards feminist-forward thinking. To make the book, Grimstad and Rennie took a road trip across the country, interviewing lesbians living in communes in Atlanta and women farmers building barns in Northern California. Though the catalogue had blind spots regarding the spectrum of gender identity, it unearthed the breadth of women declaring their independence across the country. Sensing that today’s generation of women are hungry for more radical change in society, Primary Information has re-issued the New Woman’s Survival Catalog to guide young activists.
Cassandra Press Readers, edited by Kandis Williams, Taylor Doran, and Jordan Nassar (Cassandra Press)
Relive your days in academia with the various course readers put together by lo-fi Cassandra Press. “They’ve always been a part of my art practice,” explains Kandis Williams, a Cassandra Press co-founder who creates assemblages of theoretical texts around themes like misogynoir, interraciality and PTSD, porn and color, and Black Twitter. The readers are meant to start larger conversations on sociopolitical issues, and particularly emphasize critical race studies. For those trying to catch up with heated online discourse, these texts are a valuable resource for better understanding the tensions between fascisim vs. anti-fa, the myth of cancel culture, or why Jordan Peele’s Get Out was a revelation.
The Acid-Free Art Book Market took place at Blum & Poe (2727 La Cienega Blvd, Culver City, Los Angeles) November 1–3. Hyperallergic was a media sponsor.
Special Edition: 🖌️Artists’ Signatures ✍️
In this special edition, we investigate what artists’ signatures actually mean, and the fascinating results reveal the multifaceted history of this curious phenomenon.
What Is a Signature in the Internet Age?
As a cryptographic unit for record-keeping, an NFT can be seen as analogous to a signature or an autograph.
The Public Theater Explores the Hurricane Katrina Diaspora in shadow/land
Written by Erika Dickerson-Despenza and directed by Candis C. Jones, this lyrical meditation on legacy, erotic fugitivity, and self-determination is on view in NYC.
The Meaning of Ancient Greek and Roman Artisan Signatures
What did a signature mean in the ancient world, and how much can we trust what they seem to tell us?
Michelangelo’s Signature and the Myth of Genius
Michelangelo served as a stellar example for future artists who sought status and economic independence.
The Rubin Museum Presents Death Is Not the End
Tibetan Buddhist and Christian works of art made across 12 centuries explore death, the afterlife, and the desire to continue to exist. On view in NYC.
Uncovering the Photographer Behind Arshile Gorky’s Most Famous Painting
As we pursue photographer Hovhannes Avedaghayan a fascinating picture begins to emerge of him and the world of which he was part.
100 Years of Artist Signatures in a Detroit Club
The beams in Detroit’s Scarab Club act as a guest book of sorts, carrying a wealth of stories and history, including signatures by Diego Rivera, Marcel Duchamp, Margaret Bourke-White, Isamu Noguchi, and others.
When I Am Empty Please Dispose of Me Properly
Ayanna Dozier, Ilana Harris-Babou, Meena Hasan, Lucia Hierro, Catherine Opie, Chuck Ramirez, and Pacifico Silano explore the myths of the American Dream at Brooklyn’s BRIC House.
The Myth of Agency Around Artists’ Signatures
In an art world built on shifting sands, artists’ signatures become symbols of agency for some, and relics of the past for others.
The Women Artists Commemorated on an NYC Sidewalk
The signatures of Rosa Bonheur, Mary Cassatt, and six other historical women artists are engraved on a small stretch of sidewalk on Manhattan’s Upper East Side.
Pratt’s 2023 Fine Arts MFA Thesis Exhibition Is On View in Brooklyn
The two-part exhibition features the work of 41 graduating artists across disciplines, including painting, sculpture, printmaking, and integrated practices.
Met Museum Repatriates 15 Objects to India
The sculptures were all at one point sold by the disgraced art dealer Subhash Kapoor.
Pussy Riot’s Nadya Tolokonnikova Placed on Russian “Wanted” List
Tolokonnikova has long been a thorn in the side of Vladimir Putin’s regime.
I suppose that’s acceptable to the obedient who use the filler-language term “zeitgeist.”
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