Support Hyperallergic’s independent arts journalism.
The conceptual foundation for the long-anticipated redesign of the Mui Ho Fine Arts Library, executed by Wolfgang Tschapeller, is a space that is, in the words of the architect, “scaled to the book.”
“As a human, you are not the main character, you are a guest between the books,” Tschapeller told Metropolis. And yet, the end-users, especially those inclined to wear skirts, are feeling even more on display than the 100,000 books arranged on floating shelves, due to the open sightlines afforded by slatted gratings that allow air and light to circulate between the levels of the open-concept library. Not only are these grates an open invitation to perv, they present fairly treacherous terrain for anyone wearing heels, as well as a potential access problem for people who require assisted mobility devices.
How is this acceptable? “Multiple women I spoke with for this article have noticed the space’s upskirt potential and are adjusting their library use accordingly.” https://t.co/4GyTyuExoy
— Marie Kennedy (@orgmonkey) November 12, 2019
As noted by Twitter user Marie Kennedy, women who were interviewed for the Metropolis article were apprehensive about using the library, after having a first encounter with the see-through flooring.
“Knowing that I have to think about what I’m wearing as I enter the library is off-putting to me. What was Cornell thinking?” said second-year graduate Nicole Nomura, to Metropolis. One might almost think that the five-year design process of the library involved male architects thinking harder about how to make the space accommodating to books and air rather than females and disabled bodies. It’s like architecture is a historically sexist profession that is incredibly slow to incorporate the contributions of women.
Now, I know what you’re thinking: the only women who know how to read are dowdy matrons who wear tweedy trousers and vests and have unkempt frizzy hair. Guilty as charged! But even if I didn’t have to worry about accidentally revealing my appendices or cracking a spine on the slatted floors, this bookworm can tell you that the last thing I want at the library is people looking at me! I go to the library to invisibly revel in my advancing spinsterhood, and the last thing I need is some dashing architecture student trying to make eye contact through the floor while I subtly press flowers between the pages of Jane Austen books. Plus I don’t want my tears of loneliness to fall onto his wavy chestnut hair.
Speaking of falling debris, Tschapellar is a Cornell alumnus, and designed the wide-open space with his firsthand knowledge of the low-light months in upstate New York, but declined to consider how the slush of the inclement weather seasons might be transmitted through open-grate flooring onto library patrons OR the precious, precious books for whom the space was expressly designed. Or maybe he just assumed that all $21.6 million buildings have a compulsory boot-washing station as a matter of course.
One thinks any alumna would have made sure the library contained some areas for its two primary functions: crying quietly and having panic attacks. Maybe there’s a little privacy corner over by the romance novel shelves.
The former panels, removed in 2017, featured images dedicated to Confederate Generals Stonewall Jackson and Robert E. Lee.
One researcher, Jürgen Schick, estimated that over half of the region’s historical artworks have been stolen.
The Morgan Library & Museum Presents Another Tradition: Drawings by Black Artists from the American South
This exhibition celebrates the Morgan’s recent acquisition of drawings by Thornton Dial, Nellie Mae Rowe, Henry Speller, Luster Willis, and Purvis Young.
The visual arts institution and educational center is located in the most ethnically diverse urban area in the world.
From stationery featuring work by the quilters of Gee’s Bend to the perfect gift for fans of art and astrology, check out the latest update from the Hyperallergic Store.
Part of the John Michael Kohler Arts Center in Sheboygan, Wisconsin, the Art Preserve also functions as a curated collection facility and is filled with immersive installations.