According to the Los Angeles Times, the decision took eight months to implement due to various changes to the museum’s infrastructure to accommodate for expected increased attendance, including hiring more security guards and gallery attendants. The cost of a ticket to special exhibitions, however, will raise from $15 to $18. “It allows for exhibitions that we otherwise couldn’t organize, couldn’t afford and couldn’t share,” Biesenbach told the Los Angeles Times. There will be performances, music, workshops, and food on opening day. Read the full story here.
An insidious racism is at play in interviewer Henri Renaud’s attempt to groom Thelonious Monk for public consumption on French television.
The last few years at the museum have not been without controversy, and Decatur will inherit a record of workforce struggles.
Refugees of the Moria camp in Lesvos, Greece are behind the camera in the film Nothing About Us Without Us.
Helen Molesworth’s true-crime sensation marginalizes the artist’s life and legacy.
This adventurous theater festival returns in person with 36 artists and companies from nine countries performing at different venues across the city.
Members of NatSoc Florida performed the Nazi salute and chanted “Heil Hitler” at a local LGBTQ+ charity’s fundraiser in Lakeland.
Nothing on the canvas wholly captures what it means to belong on land or at sea.
Learn more about the New York-based, globally linked program and its upcoming discussions on art and society in the time of AI and data governance.
Dyson is part of a growing number of contemporary artists to imbue geometric abstraction with a sociopolitical dimension.
In an exhibition that consists of mostly small-scale black and white works on paper, viewer engagement almost magically awakens the sleepy room.
The program, along with recently announced visiting critics, will provide long term funding, promote access, and safeguard experimentation for future students of color.
Maria Maea’s All in Time continues an intergenerational conversation and exemplifies the artist’s process, not simply the finished pieces.
Koestler Arts works with incarcerated people and patients in secure mental health units, aiming to improve their lives through creativity.