The first rule of social networking is that it’s very hard to make things private. It’s a decent bet that almost everything you post online is in some way accessible by people you don’t necessarily want to see it. This leads us the related first rule of art vandalism: if you did it, don’t claim it on YouTube or post about it on your Facebook page — unless you want to get charged.
Such is the case with 22-year-old artist Uriel Landeros, who appears to be the prime suspect in the Menil’s Picasso vandalism case from last week. Houston’s CultureMap reports that Landeros has been charged by the District Attorny’s office with two third-degree felonies: criminal mischief and felony graffiti. Crime Stoppers is even offering a $5,000 reward for information leading to charges or an arrest.
For those who might have missed the story thus far, a man approached Picasso’s “Femme au fauteuil rouge (Woman in a Red Armchair)” (1929) in a gallery at the Menil Collection last week and stenciled the image of a bullfighter killing a bull and the word “conquista” onto it. Someone else caught the whole thing on his cell-phone camera and posted it on YouTube, identifying Landeros as the culprit in the caption, along with the words “In Dedication to the art beast Pablo Picasso,” which would seem to come from the vandal himself, or at least someone in on the whole thing. It’s unclear what the connection is between the two men, who just happened to run into each other again a few days later.
Landeros himself has left a vague, though easily followed, social media trail. On Facebook last week, he liked a link to a local Houston news report on the Picasso vandalism, which showed up on his profile page. Under it a friend commented, “what is wrong with you? stop posting this stuff.” We can’t help but think Landeros should listen to his friends.
Interestingly, he also changed his profile picture at the end of May to a painting of the word “Conquista,” though he’s since changed it back. And on his very sparse Twitter feed, Landeros made two seemingly telling remarks in the past few months:
one day pablo one day
— Uriel Landeros (@UrielLanderos) March 29, 2012
la bestia se conquista
— Uriel Landeros (@UrielLanderos) April 19, 2012
Then again it’s entirely possible that Landeros is just trying to grab some publicity and attention for his fledgling art career, or cover for someone else. But according to CultureMap, the studio where he had been working and sometimes living was emptied out last week; the leaseholder, a friend of Landeros, hadn’t paid rent in over a month. And the police haven’t caught him up with him yet:
“Right now the suspect is not in custody, but we’re working with local law enforcement agencies to locate him,” assistant district attorney John Lewis told CultureMap Friday. “We have other persons of interest as well and we’re following up on all leads.”
“Our bodies are not that cheap,” said one Iraqi artist who signed an open letter to the biennale’s curators.
Museums will have to install “prominently placed” placards alongside the works, according to a new suite of laws signed by Governor Kathy Hochul.
Choose from over 140 courses for adults and youth ages 13 to 17, including options for beginning, intermediate, and advanced students. Enroll by August 23 for an early bird discount.
Scientists borrowed the ecological “unseen species” model to estimate how many works of medieval European literature have gone extinct.
As bodily autonomy and workers’ rights remain under constant and often intertwined threat, The Work of Love, the Queer of Labor reminds us of what is still at stake.
The Brooklyn organization is now accepting new project inquiries for its fee-based fabrication services in printmaking, ceramics, and large-scale public art.
The emphasis in Semmel’s retrospective Skin in the Game is on the various points of view she has taken on herself — and, briefly, on others too.
The artist and former SWAIA chief operating officer and executive director has found a stable of dedicated collectors and a close-knit community at Santa Fe Indian Market.
The Newark Museum of Art Presents Jazz Greats: Classic Photographs from the Bank of America Collection
Photographers Antony Armstrong Jones, Milt Hinton, Chuck Stewart, Barbara Morgan, and more capture a breadth of legendary and local musicians and performance artists. On view through August 21.
Each voice in This Long Thread intersects to reveal the collective chronicles, struggles, and triumphs of women of color in today’s craft landscape.
Works by the Abeyta family of artists encourage thinking beyond activism and legislation as a means for political progress.
Despite faithfully recreating the story of the beloved comic book series, the TV show lacks the verve of the original.