The arts community in Michigan is still elated that the .2 mill passed in three large Detroit-area counties. Yesterday’s voter booth success definitely helps to ensure a more financially secure Detroit Institue of Arts, but you can be assured that its passage wasn’t because of some innate sense of arts patronage among Michiganders but a victory based on educating voters about the facts.
ArtsServe Michigan published the above infographic on Facebook and it shows why arts funding works. Every dollar invested into the state’s arts economy yields an incredible return.
This “it makes sense financially” tact is sure to win in the future if the arts community continues to drive home that arts grants are an investment. Rather than pump money into corporations that farm out jobs, often out of state or elsewhere, why not invest local and still get a great return? While many in the arts community hate to think of culture in a “bottom line” sort of way, there is no other alternative when voters are weighing limited public funds against other economic choices.
A year ago, Governor Sam Brownback employed his line-item veto authority to shut down the Kansas Arts Commission, making Kansas the first state to eliminate arts funding from its budget. The Republican governor argued that art isn’t a core function of government, and described it as a luxury the state could no longer afford.
This year Brownback quietly reversed course. He proposed the creation of a new “Creative Arts Industries Commission” that would focus on the potential of the arts and creative industries such as graphic design and architecture to help the state’s economy.
An extraordinary variety of artists came to Jon Swihart and Kim Merrill’s backyard potlucks, discussing not just their work, but also the events and challenges of their lives.
With A Lion for Every House at the Art Institute of Chicago, Floating Museum riffs wildly on the art rental programs of some museums.
Art and photographs, publications from the 19th and 20th centuries, manuscripts, posters and more are set to cross the auction block on August 18.
A Thing for the Mind takes Philip Guston’s 1978 painting “Story” as a starting point to examine the myriad ways in which this piece has filtered into the work of other painters.
An Oakland librarian and a French teacher in Oklahoma City collect ephemera they discover in returned and used books, from photos and recipes to love letters.
Until you’ve seen a place for yourself, it’s a bit of an abstract idea. So why not ask Artificial Intelligence to create your travel poster?
Incarcerated people will be allowed to read Heather Ann Thompson’s 2016 Blood in the Water, except for two pages featuring a map of the prison.
The Nevada Museum of Art in Reno welcomes guests to learn about “The Architect to the Stars” through captivating black and white photography. On view through October 2.
The long-lost painting resurfaced at the upscale Urban Gallery in Tel Aviv, sparking the anger of Palestinians.
“Guests in love, please understand — most of the exhibits in our museum are objects ‘born’ many years ago and subject to completely different moral standards,” said the Fort Gerhard museum in a statement.
This week, the Webb space telescope wows, übernovels, crappy pigeon nests, the problem with “experts,” and much more.