In a statement yesterday, May 19, the Metropolitan Museum of Art in New York announced that it has postponed its reopening date from July 1 to at least mid-August, if not “a few weeks later.”
According to the statement, the decision was made in keeping with New York State’s phased plan for reopening the city. Once it reopens, the Met will likely reduce its days and hours of activity, according to the statement. In addition, the museum has canceled all tours, talks, concerts, and events through 2020. Furthermore, the Met Gala has officially been canceled for this year after it was initially postponed.
The Met, which is celebrating its 150th anniversary this year, is known as a bellwether for movements in the museum world. It was the first major New York institution to close its doors in March, leading to a cascade of museum shutdowns in New York and across the country. Later in March, the museum sent a letter to its department heads forecasting $100 million in losses and saying it would remain closed until July. In April, it laid off 81 employees in its visitor services and retail departments and updated its estimated shortfall to $150 million.
“The Met has endured much in its 150 years, and today continues as a beacon of hope for the future,” said Metropolitan Museum President Daniel H. Weiss, in yesterday’s statement. “This museum is also a profound reminder of the strength of the human spirit and the power of art to offer comfort, inspiration, and community. As we endure these challenging and uncertain times, we are encouraged by looking forward to the day when we can once again welcome all to enjoy The Met’s collection and exhibitions.”
Our favorite US shows of 2021, brought to you by the writers and editors of Hyperallergic.
Naito’s Op-inspired abstractions might have been an oblique way of dealing with feelings of displacement after moving to the United States.
BIENALSUR, the International Biennial of Contemporary Art of the South, has returned to Saudi Arabia for an exhibition presenting more than 20 international artists, including Filwa Nazer, Rafael Lozano-Hemmer, and Tony Oursler.
Braque’s paintings speak of self-containment, of a quietly impassioned, ongoing dedication to the task at hand.
In Amber Robles-Gordon’s artwork, the borders between states matter less than the overlapping territories of self, the never-ending negotiation of identity.
Schulte seems at once focused and restless, determined and open.
The archive kicks off an initiative by the Met Museum and the Studio Museum to conserve and digitize his works, and research the context of his photographs, his singular photographic techniques, and his life.
On view in Abu Dhabi until February 5, 2022, the paintings and sculptures in Modernisms shed new light on artists like Parviz Tanavoli, Fahrelnissa Zeid, and M.F. Husain.
In 1996, Nez Perce Tribe members had to fundraise hundreds of thousands of dollars to pay the Ohio History Connection to secure artifacts that were rightfully theirs.
Andrew McCarthy used a modified telescope to take over 150,000 images of the sun, combining them to create the stunningly crisp photo.
The city brought shows to life that will be talked about for years to come.