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CHICAGO — In the Pilsen neighborhood of Chicago, at 16th Street and Ashland Avenue, you can stand on the street next to a railway line, surrounded by giant brick warehouses, and get a taste of authentically gritty industrial history. Freight trains, miles long, lumber, and clank by over your head. If you look to the east, you can see the upper storeys of the Sears Tower (now called the Willis Tower, but no self-respecting Chicagoan uses that new name). But if you look straight ahead at the long supporting wall of the railway tracks, what you will see is a long picture of a giant possum.
Chicago has a rat problem, and you would be justified in thinking that Belgian street artist Roa is paying tribute to the tenacious rodent. According to the Chicago Urban Art Society, which arranged for Roa to bring his distinctive style to this neighborhood, it is in fact a possum.
Typically of Roa’s murals, it’s painted in a sharp, graphic, linear style that resembles a woodcut print, and it stretches along a wall and around a corner for about twenty feet. The eye-grabbing detail is the way Roa painted the middle of the body — like a giant chunk has been gouged out, leaving a U-shaped hole and the remnants of bloody, twisted internal organs. Some of the red paint is sprayed on the dirt and weeds on the ground, giving the mural an extra dose of grisly realism. I’m not quite sure what it’s supposed to mean, exactly (it’s hard out there for a possum, maybe?), but I love it.
Several more murals are in the process of being painted along the 16th street corridor, as part of an initiative by the local alderman to combine the graffiti of this heavily urban area with something that will bring more cultural visitors to the area. There are even plans for a trolley tour of the public art in this neighborhood, which will run during Chicago Artists’ Month in October. Whether you take the trolley, drive there like I did, or hop a freight train, it’s worth the trip.
Tabitha Arnold’s rugs pay tribute to organizers who lay their bodies on the line in the workplace, in the public square, and in the depths of private prisons.
The intentionality of Booker’s abstraction gives me the impetus to discuss something about the current zeitgeist that’s been on my mind for a while.
The Morgan Library & Museum Presents Another Tradition: Drawings by Black Artists from the American South
This exhibition celebrates the Morgan’s recent acquisition of drawings by Thornton Dial, Nellie Mae Rowe, Henry Speller, Luster Willis, and Purvis Young.
After years in the making, New Time opens at the Berkeley Art Museum and Pacific Film Archive.
The museum details the process of moviemaking, from its inception in storytelling all the way to its marketing. But interwoven into these exhibits are ugly truths.
Part of the John Michael Kohler Arts Center in Sheboygan, Wisconsin, the Art Preserve also functions as a curated collection facility and is filled with immersive installations.
The former panels, removed in 2017, featured images dedicated to Confederate Generals Stonewall Jackson and Robert E. Lee.