In this episode for Sunday Edition, we welcome Kyle Chayka to examine Silicon Valley’s taste for minimalist design. Is this just the latest development for a style that has a long history but only emerged into pop culture during the 1960s and ‘70s when a contemporary art movement emerged to propel the taste for less into a global phenomenon?
Chayka’s book, (Bloomsbury, 2020), is a highly readable book that examines the historical precedents of minimalist design, its incarnation as contemporary art, and how it was co-opted by architecture, design, and fashion companies to represent a new, generic sense of luxury. I also want to mention that the author should be no stranger to longtime Hyperallergic readers.
The music for this episode is Darkstar’s “Timeaway,” which is taken from the new album News From Nowhere, courtesy of Warp Records (warp.net/artists/darkstar>)
The committee’s main responsibilities will be to shape policy goals, stimulate arts philanthropy, and advocate for the expansion of federal backing of the cultural sector.
Some museumgoers pointed out that the museum’s label omitted discussions of HIV/AIDS, which are at the heart of the work.
Featuring over 70 installations and performances at the George Washington University’s historic Flagg Building, the Corcoran’s end-of-year showcase is now available for virtual viewing.
But a museum in Harvard is still named after a member of the disgraced family, notorious for its role in the opioid crisis.
Parker’s stories bring so many of her works alive, give them meaning, and make us warm to her and to them. Is that a problem?
Artists reflect on histories of oppressive power structures in Brazil in this exhibition at the Visual Arts Center at the University of Texas at Austin.
The works, and worlds, on display in Hancock’s exhibition seem saturated with a desire for narrative redemption through self-observation and aspects of his Christian upbringing.
The problem with Andrew Dominik’s biopic Blonde is its assumption that Monroe’s victimization was the most fascinating thing about her.
When I recently came across Sandra Cattaneo Adorno’s photo book Águas de Ouro, I could hear the waves and boomboxes, and even taste the salt on my lips.
Works by over 70 artists of the pan-South Asian diaspora were up for auction to help Pakistan’s most vulnerable communities in a women- and queer-led initiative.
The board of 70 Washington Street in Brooklyn, which previously housed an artist residency, is weighing the replacement of Helen Brough’s “Emulated Flora” with generic photographs of Brooklyn landmarks.