This week, I talk to Hyperallergic news editor Jasmine Weber, and reporters Hakim Bishara and Valentina Di Liscia, to discuss some of the major stories they’ve been reporting on. Art’s role in upholding the status quo has been long diminished, but we’ve seen major developments to challenge this, including the removal of Confederate statues across the United States; the toppling of a Columbus statue in Minneapolis by members of the American Indian Movement; the decision by MCA Chicago to halt its contract with local police; celebrities advocating for justice for Breonna Taylor; and the vow by former Whitney Museum Vice Chair Warren Kanders to sell Safariland divisions that manufactures tear gas.
We also discuss our editorial decision to blur the faces of protesters, as well as two important essays we published on the origins of the word “loot” and the meaning of journalistic “objectivity.”
I also speak to scholar and photographer Artyom Tonoyan about what he saw during the May 29th protests in Minneapolis.
Hyperallergic continues to be on top of the biggest stories in the art community during the pandemic. Subscribe to our daily newsletter to stay up to date.
This week, missed signs of previous life on Mars, the appeal of forged art, and why are blue whales singing in lower octaves?
All the Beauty and the Bloodshed forcefully posits multiple parallels between the world Nan Goldin grew up in and the one she fights in today.
The latest episode of this documentary series on PBS explores the meaning of home through handmade objects, hand built homes, and the artists who create them.
Your list of must-see, fun, insightful, and very Los Angeles art events this month, including Bob Thompson, Aimee Goguen, Uta Barth, the Transcendental Painting Group, and more.
There is the singular artist and then there is the more exclusive club that has only one member. Harvey belongs to the latter.
Rhode Island School of Design opens registration for its residential summer Pre-College program and year-round online intensive Advanced Program Online.
The artists say the Museum of Contemporary Art Kiasma must sever ties with Poju Zabludowicz, whose wealth comes in part from Israeli defense contracting.
Vanessa Albury, whose eco-friendly ceramic sculptures help revive filter-feeder populations, is raising funds to complete her first film about the project.
Hrag Vartanian, Hyperallergic’s editor-in-chief, is one of the guest jurors reviewing applications for the two-month residency in Utica, New York.
An archeological exploration of the amphitheater’s sewers and water systems uncovered remnants of meat, vegetables, olives, nuts, and yes, pizza.
At this year’s show, I reflected on the lack of bilingual materials, the absurdity of art-fair gimmick, and the workers who make it all possible.
Hear a band of improvisers led by Rajna Swaminathan and a performance of Morton Feldman’s “For John Cage” in programs inspired by the exhibition, “New York: 1962-1964.”
Your list of must-see, fun, insightful, and very New York art events this month, including art made during the first stock market crash, a homage to feline friends, and the 10-year anniversary of a crucial public art initiative.
Astrid Dick was told that she could not paint stripes because Sean Scully and Frank Stella have done so before her, a patently foolish statement.