In what can only be described as the most unbelievable turn of events around the Beast Jesus debacle, Techdirt says the woman at the center of the global sensation is claiming copyright and wants a cut of the tourist money bonanza that has hit the small Spanish church.
Yes, octogenarian Cecilia Gimenez, who destroyed transformed García Martínez’s 19th-century fresco of Jesus into the now infamous Beast Jesus, isn’t pleased that she’s been left out of the spoils of her work. Spanish newspaper El Correo explains that since last Saturday the church has started charging visitors to the site and Gimenez wants some of the €2,000 they’ve raised in four days.
The site, which has become a tourist destination, is attracting travelers from around the world and people can’t seem to get enough of it. The newspaper mentions one bargain airline, Ryanair, is offering flights for €12 from the cities it serves to visit the site in Saragossa, Spain, which is the closest major airport to the church.
The settlement comes after Tate prevented an artist who exposed sexual harassment by one of its largest donors from co-curating an exhibition.
Let’s be honest: On a best bathrooms list, no one wants to be number two.
The Newark Museum of Art Presents Jazz Greats: Classic Photographs from the Bank of America Collection
Photographers Antony Armstrong Jones, Milt Hinton, Chuck Stewart, Barbara Morgan, and more capture a breadth of legendary and local musicians and performance artists. On view through August 21.
Advocacy groups are pushing for a 5% royalty in resales, which would pertain even after the artist dies, in which case the funds would go to their estate.
This week, the Getty Museum is returning ancient terracottas to Italy, parsing an antisemitic mural at Documenta, an ancient gold find in Denmark, a new puritanism, slavery in early Christianity, and much more.
Art and photographs, publications from the 19th and 20th centuries, manuscripts, posters and more are set to cross the auction block on August 18.
The absence of an explicit framing of American art, in all of its diversity, as a visual culture of empire distorts and hampers our ability to understand — and reimagine — our social world.
The gap between the material body and the psychological one, which we all too often take for granted, is one of the underlying themes of Hiro’s exhibition.
David Rios Ferreira and Denae Shanidiin join forces to bring awareness to the plight of Indigenous women and girls, and LGBTQ+ individuals.
Metrograph’s series The Process features films that were either directed by Robert M. Young or made with the help of Irving Young’s postproduction facility.
Memes depicting a sinister, all-powerful Joe Biden alter ego are sweeping the internet, and the Democratic establishment is loving it.