The New-York Historical Society has a massive show that explores the role of New York in World War II, WWII & NYC. While the front lines of the Second World War raged across the oceans, the great American metropolis gave more than most as it mobilized its citizenry, its resources, and its elites to fight the war on all fronts.
“If the American men and women who fought and won World War II can be described as the Greatest Generation, then New York’s unsurpassed contributions to the war effort can be said to have earned it the title ‘Greatest City,’” says Louise Mirrer, President and CEO of New-York Historical. “What award-winning WWII & NYC curator Marci Reaven will show in this fascinating, and often astonishing exhibition, is how central the city was to a war whose battles were fought thousands of miles away—a story little known by most people today.”
The images they’ve amassed are fascinating documents of that era. The wanted poster for Hitler, by the interventionist group Fight for Freedom, is an effective piece of propaganda, while Thomas Benton’s “Embarkation—Prelude to Death (Year of Peril)” (1942) is a grim reminder about the fate that awaited over 400,000 Americans who served in the military.
The WWII & NYC is on display at the New-York Historical Society (170 Central Park West, Upper West Side, Manhattan) until May 27.
As much as I appreciate the collective’s culture jamming initiatives, I don’t know that their putative premise ever bears meaningful fruit.
The banana’s dominance and ubiquity has had serious and far-reaching implications for the region, engendering exploitative labor systems, climate change, and migration.
The first lecture is on the relationship between early portrait photography and diverse notions of US identity during the Gilded Age. Register to attend on January 25.
Charles Dellheim’s study tells the tale of a small group of Jewish art dealers and collectors who played a key role in the changing art world of the 19th and 20th centuries.
The 18-month fellowship aims to provide artists with “as much access as possible” to the club’s facilities and networks “at a time and place convenient to artists.”
Part of the university’s Artists on the Future series pairing renowned artists with cultural thought leaders, this online event is free and open to the public.
A coalition of investors raised funds to purchase the film’s storyboard and announced they would “make the book public.”
A new project, “Emoji to Scale,” orders every mini-object by their real-world dimensions.
Although Khedoori does not depict living beings, their presence is evoked in the traces they leave behind.
The Bronx Museum’s fifth biennial continues to focus its programming on individual identity, eliding the ever-divergent interests of the art market and local communities.
While it may be strange to think of food insecurity as a basis for art, the works in Food Justice reveal barriers and injustices in food access.