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Recently, Hyperallergic reported that the Penn Museum at the University of Pennsylvania will be removing a cranial collection from display in a basement classroom. The group of crania, which was donated by a 19th-century Philadelphia-born and UPenn-educated physician named Samuel George Morton, includes many skulls of enslaved Black people. The collection is a product of racist, pseudoscientific “race science” that Morton and his peers perpetuated. Members of the UPenn community actively denounced its display at the institution for many years prior to the museum’s recent decision.
Hyperallergic’s news editor Jasmine Weber and reporter Hakim Bishara join me to discuss this story and what Police Free Penn, a group consisting of UPenn students and local activists, is demanding the museum abolish the collection.
The music this episode is an instrumental version of “Begin Again” by Kill the Alarm.
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New works by one of Bangladesh’s most prominent photojournalists, writers, and activists are on view at the Chicago art space through November 27.
Council often uses humor as a political tool to expose systems of power and inequality in a society in which even death carries a high price tag.
An exhibition at the San Francisco Opera House pairs the work of incarcerated artists with Beethoven’s story of unjust imprisonment.
Many works take disruption and repetition as their themes, and many artists resurface in different sections, creating multiple affinities.
Hear from Holly Jean Buck, Carolina Caycedo and David de Rozas, Simon Denny, Elizabeth Hoover, Renee Kemp-Rotan, Joseph Kunkel, and more at this free public event.
In Cooking with Paris, Hilton capitalizes on her portrayal of being a competent woman, while highlighting its anachronism through her absurd performance. Rosler manipulates the camera in the same way.
EFA Open Studios offers a portal into the creative habitats of over 65 artists working in Manhattan’s longest-running studio program, including Dannielle Tegeder, Wafaa Bilal, Cui Fei, and Anina Major.
A man says Blue Bayou took details of his life without his permission. Several women who appear in the documentary Sabaya say they did not consent to be filmed. How can filmmakers avoid these ethical pitfalls?
Ursula Biemann, Nicolas Bourriaud, and others said they will no longer participate in the event.
There is an official ban against the public mourning of Tiananmen Square victims in Hong Kong and mainland China.