Week in Review is a weekly collection of news, developments, and stirrings in the art world. Subscribe to receive these posts as a weekly newsletter.
One-third of US museums may never reopen, according to a survey by the American Alliance of Museums.
Following complaints of a “toxic work environment” by over 70 former employees, the Board of Directors of the Museum of Contemporary Art Detroit (MOCAD) has terminated its relationship with former Executive Director Elysia Borowy-Reeder.
After Philadelphia Museum of Art (PMA) employees publicly voiced concerns about a culture of abuse and mishandled sexual misconduct complaints, the museum hired an external consulting firm to assess its workplace environment. The results of the examination, shared with staff in an online meeting on Tuesday, July 28, paint a grim picture that implicates all levels of the museum’s leadership.
Wouter van der Veen, the scientific director of the Institut van Gogh, has pinpointed the likely location of Vincent van Gogh’s final painting, “Tree Roots” (1890). He made the connection after he noticed the oil painting’s clear resemblance to a portion of a postcard from the French town of Auvers-sur-Oise, where the Dutch painter took his life in 1890.
The group Artists for Workers created a website parodying the Guggenheim Museum, mimicking the visual language of the institution’s official website to pressure the museum “to improve material conditions for workers and build solidarity among artists and arts workers.”
The Kunstverein Hannover in Germany, the Hirshhorn Museum and Sculpture Garden in Washington, DC, and the Musée d’art contemporain de Montreal have all suspended their forthcoming exhibitions of Jon Rafman’s work after allegations of sexual misconduct against the Canadian digital media artist surfaced online.
In March, the San Francisco Art Institute (SFAI) announced that it is heading towards a permanent shutdown, citing years of declining student enrollment and financial losses caused by the COVID-19 pandemic. But now, after securing more than $4 million in donations, the 149-year-old school says it will remain open.
In a bipartisan, unanimous vote, the House passed legislation to create the Smithsonian National Museum of the American Latino.
Amid mounting nationwide uncertainty over the return to in-person instruction this fall, some of Columbia University’s faculty are balking at the administration’s request that they “reconsider the modality of their courses” after the vast majority of instructors “elected to teach online only.”
After the Trump administration walked back regulations that would revoke the visa status of all international students attending online-only schools, ICE updated the ruling to target incoming students.
A brown duck has built her nest in a planter on the Metropolitan Museum’s Cantor Rooftop Garden.
On Sunday, July 26, French police arrested and charged a church volunteer who has admitted to setting a fire that severely damaged the interiors of the Cathedral of St. Peter and St. Paul in Nantes.
New York’s Metropolitan Museum has acquired two bronze statues by Kenyan-American artist Wangechi Mutu, “The Seated I” (2019) and “The Seated III” (2019). The acquisitions are part of The NewOnes will free Us, a group of four statues made by Mutu for the inaugural Met Fifth Avenue façade commission. The series, which plays on the classical trope of the caryatid, has been on view on the Met’s exterior since September 2019 and remained on view throughout the museum’s shutdown due to COVID-19; the two acquisitions will go on to be exhibited inside of the museum. The Met also owns Mutu’s diptych “My Strength Lies” (2006), purchased last year.
At Sotheby’s London, the “Rembrandt to Richter” sale garnered £149.7 million (~$192.7 million), at the high end of a presale estimate of $139.3 million to $200.1 million. “Rembrandt to Richter” was the first “live” London evening sale since February, though the salesroom itself was empty. The cross-category auction included one of the three Rembrandt self-portraits in private collections (“Self-portrait of the artist, half-length, wearing a ruff and a black hat” (1632)), which garnered £14.5 million (~$19 million), and a generously sized four-panel cloudscape by Gerhard Richter (“Wolken (fenster)” (1970)), which sold for £10.4 million (~$13.6 million). Joan Miró’s “Peinture (Femme au chapeau rouge)” (1927), one of two paintings on offer from the collection of Ronald Perelman, sold for £22.3 million (~$28.7 million), marking it as the most expensive work sold in Europe this season.
The Hirshhorn Museum and Sculpture Garden acquired two large-scale outdoor sculptures by Sterling Ruby and Huma Bhabha. Bhabha’s “We Come in Peace” (2018) is a 12-foot-tall bronze figure, cast from cork, that nods to the 1951 sci-fi film The Day the Earth Stood Still. Ruby’s “DOUBLE CANDLE” (also 2018) consists of two bronze candles that stand at more than 24 feet tall. The sculptures will be exhibited in the Hirshhorn garden, which has been the subject of public debatesince the museum proposed a contentious garden redesign by Hiroshi Sugimoto.
This Week in the Art World
The John S. and James L. Knight Foundation gave a $2 million grant to the ICA Miami’s Art + Research Center. | Art Newspaper
The Smithsonian’s National Portrait Gallery announced its inaugural Instagram Artist-in-Residence Bradford Grant. | Howard Newsroom
Sales director Graham Steele is leaving Hauser & Wirth. | artnet
The National Gallery of Art in Washington DC named Sheila McDaniel as its new administrator. | National Gallery of Art
The Graham Foundation announced its 2020 grantees. | Graham Foundation
The California African American Museum (CAAM) in Los Angeles appointed Taylor Renee Aldridge as visual arts curator and Susan D. Anderson as history curator. | Artforum
Silver Art Projects announced the 25 inaugural Artists-in-Residence at 4 World Trade Center. | Silver Art Projects
The Getty Research Institute announced its 2020/2021 Research Residents and Artist-in-Residence Gala Porras-Kim. | GettyNews
The estate of Gustav Metzger will be represented by Hauser & Wirth. | FAD Magazine
Adam Budak is will serve as director of the KestnerGesellschaft in Hanover. | Monopol
The participating artists in Ireland’s 2020 EVA Internationalwere announced. | e-flux
Los Angeles gallery Chimento Contemporary is closing. | Chimento Contemporary
Eva Chimento has accepted a position as director at Telluride Gallery of Fine Art. | Chimento Contemporary
Eames Ore-Giron joined the roster at James Cohan in New York. | Artdaily
The Kraszna-Krausz Foundation released the shortlisted titles for its 2020 Photography Book Award and Moving Image Book Award. | Artdaily
Christina and Emmanuel Di Donna launched gallery Sélavy in the Hamptons. | Architectural Digest
Rebeccah Blum (1967–2020), curator, editor, and translator | Hyperallergic
Richard Brettell (1949–2020), Impressionism scholar and Texan museum director | Texas Standard
Herman Cain (1945–2020), businessman and former presidential candidate | CNN
Saul Fletcher (1967–2020), British-born photographer | Monopol
El Gilbert (1953–2020), San Francisco gallerist | Artforum
Peter Green (1946–2020), Fleetwood Mac guitarist | Rolling Stone
Queasha Hardy (1991–2020), Louisiana hairstylist | Human Rights Campaign
Olivia de Havilland (1916–2020), Hollywood actress | Hollywood Reporter
Marcuse “Cusie” Pfeifer (1936–2020), New York gallerist | Artforum
Lady Red Couture (1977–2020), Los Angeles drag icon | them
Lotty Rosenfeld (1943–2020), Chilean artist | ARTnews
Kansai Yamamoto (1944–2020), Japanese fashion designer | New York Times
How does a selective competition fit with the contemporary art world’s aspirations toward greater inclusivity?
Critical race theory, which has been attacked by conservative lawmakers, is conspicuously absent, as are many contemporary and living Black artists.
“Dignity of Earth and Sky,” unveiled in 2016, raises questions about who should depict Native people and how they should be portrayed.
In this online exhibition, Indigenous artists reclaim realities long denied them by US and Canadian federal governments — including moments of collective reverie.
At this year’s Sundance International Film Festival, more than half the feature-length movies were made by directors who identify as women.
In her novel Tell Me I’m an Artist, Chelsea Martin questions whether art offers a refuge from the world.
Ten artists will receive studio space and access to faculty, staff, students, workshops, and programming at an arts institution in the heart of Philadelphia.
The US government has lifted a Trump-era ban that kept formerly imprisoned people from accessing their works.
A work of art will be on the line when the Philadelphia Eagles play the Kansas City Chiefs this Sunday.
With two exhibitions at SoFi Stadium, the Kinsey African American Art & History Collection seeks to engage a different art audience.
The works that best exemplify a uniquely German grotesque in Reexamining the Grotesque are those that reflect the war and Weimar years.