The recent news that the White House may ban the social media platform TikTok has people wondering, why? While Silicon Valley social giants, like Twitter and Facebook, have avoided similar threats, the question remains why TikTok, which is owned by a Chinese company but has headquarters in the UK and the US, is causing so much condemnation.
I invite author, artist, and technologist An Xiao Mina to discuss her recent article “Bread and TikTok for the Mass,” and why the social platform continues to irk the powers that be. We also discuss the passing of poet Dinos Christianopoulos, whose line “They Tried to Bury Us, They Didn’t Know We Were Seeds” has become a staple of protests the world over.
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Curator La Tanya S. Autry shares a set of crucial questions she considers when curating images of anti-Black violence.
Crys Yin’s subject is grief, which, for all that takes place in public, is largely a private matter.
The first lecture is on the relationship between early portrait photography and diverse notions of US identity during the Gilded Age. Register to attend on January 25.
With her clay relief sculptures, Brie Ruais probes the exit wound and its deep psychological implications.
In Doomscrolling, Rob Swainston and Zorawar Sidhu assume the task Walter Benjamin set for the articulation of history — to “seize hold of the past as it flashes up at a moment of danger.”
Part of the university’s Artists on the Future series pairing renowned artists with cultural thought leaders, this online event is free and open to the public.
When we honor King publicly, as many in the art circle did on Monday, we use these moments to do more than just remember and pay tribute.
A study that reexamined Homo sapiens fossils found our species is 30,000 years older than previously believed.
As much as I appreciate the collective’s culture jamming initiatives, I don’t know that their putative premise ever bears meaningful fruit.
The banana’s dominance and ubiquity has had serious and far-reaching implications for the region, engendering exploitative labor systems, climate change, and migration.
Charles Dellheim’s study tells the tale of a small group of Jewish art dealers and collectors who played a key role in the changing art world of the 19th and 20th centuries.