A Potential Piece of Yellowism

The Latest

Kidlat Tahimik’s Subversive Retelling of the Philippines’ Colonial History

To showcase this work exactly 500 years after Magellan’s conquest of the Philippines in a space that, 134 years ago, was a “human zoo” of Indigenous people from the Philippines, is certainly poignant.

by Sabrina Boutselis

The Queer Feminist Agenda of Wilder Alison’s Abstract Wool Paintings

Since 2014, Alison has been visually dissecting Monique Wittig’s novel The Lesbian Body, which theorizes the split subjectivity women experience in language, an inherently patriarchal structure.

by Ksenia M. Soboleva

Paris Gibson Square Museum of Art Presents Beyond Intention

This exhibition in Great Falls, Montana addresses the concept of intention in contemporary fiber art and its complex relationship with the history of women’s art as craft.

A More Expansive Understanding of What It Means to Be Human

N.I.H., short for No Humans Involved, was an acronym used by the LAPD to refer to “young Black males who belong to the jobless category of the inner-city ghettos.”

by Caroline Ellen Liou

The Magnum Opus of Theresa Hak Kyung Cha, Influential Korean American Artist

Cha, who was murdered at 31 years old, explored the nuances of forced migration and language.

by Allison Conner

Study Art in the Northern Rocky Mountains at Montana State University

Explore new avenues in artistic practice and scholarship amongst a diverse cohort of peers while gaining leadership skills both academically and professionally.

Cheetos Dust Artworks on a Yacht May Mark the Endtimes at Miami Basel

Taping a banana wasn’t enough, so the art world had to do something even more stupid with food.

by Sarah Rose Sharp

Licorice Pizza, Paul Thomas Anderson’s Ode to the San Fernando Valley of the 1970s

Stoner jokes, unexpected pop culture references, and an unlikely love story jangle against each other like charms on a bracelet.

by Mark Asch

With Kinerapan: Right of Crawling, Taiwan Prepares for the 2022 Venice Biennale

In this exhibition, curated by Patrick Flores and presented by Taipei Fine Arts Museum, Paiwan artist Sakuliu reflects on interspecies co-sharing and coexistence.