Week in Review is a weekly collection of news, developments, and stirrings in the art world. Subscribe to receive these posts as a weekly newsletter.
Former and current Brooklyn Museum employees have stepped forward to decry the behavior of executive leadership at the institution, denouncing “the harm and daily mistreatment” of workers of color.
In a letter sent to the Guggenheim Museum and published online, the anonymous group A Better Guggenheim called for the removal of three top executives: Richard Armstrong, Elizabeth Duggal, and Nancy Spector. The letter details allegations of sexism, racism, classism, and abuse.
The Guggenheim Museum laid off 24 employees. Another eight employees accepted voluntary separation packages.
After Bill Arning, the former director of the Contemporary Arts Museum Houston, was accused of sexual harassment online, the museum confirmed that an investigation into the director’s behavior resulted in his separation from the museum in 2018.
Citing “deeply systemic issues,” faculty at the Maryland Institute College of Art (MICA) declared a vote of “no confidence“ in the school’s senior leadership, including the president and provost.
An open letter signed by LA artists demands the Los Angeles County Museum of Art (LACMA) remove Tom Gores, who owns a prison telecom company, from its Board of Trustees.
Hito Steyerl, Michael Rakowitz, and Forensic Architecture are among 300 signatories of an open letter in support of striking Tate Workers.
An open letter, authored by three artists included in the now-canceled Collective Actions exhibition, urges the Whitney Museum to “commit to a year of action — of mobilization and introspection.”
At the Pennsylvania Academy of the Fine Arts, more than a dozen MFA students are sitting out their final show in protest of the school’s actions during Black Lives Matter demonstrations. They are presenting their work at alternative, artist-run spaces instead.
Tenants of a 40-year-old collective of artists and organizers in Fort Greene say that the building’s owner and her family have used tactics of “surveillance, intimidation, and harassment” to force them out of the building.
Public statues of women in the UK just barely outnumber those of men named John, a new study has found.
Awards & Accolades
Farah Al Qasimi was awarded the third annual Capricious Photo Award.
Ana María Alvarez, Andrew Cyrille, Sean Dorsey, Michael John Garcés, Rennie Harris, Cécile McLorin Salvant, Dael Orlandersmith, and Pam Tanowitz were named the 2020 Doris Duke Artists, each receiving a $275,000 award from the Doris Duke Charitable Foundation.
Arts.Black, BOMB, Bmore Art, the Brooklyn Rail, Burnaway, Glasstire, the Maine Arts Journal, the New Art Examiner, and X-TRA were awarded $20,000 each by the Dorothea and Leo Rabkin Foundation.
Tracy Fitzpatrick, Director of the Neuberger Museum of Art, was appointed to the New York State Board of Regents Advisory Council on Museums.
Jova Lynne rejoined the Museum of Contemporary Art Detroit (MOCAD) as the Susanne Feld Hilberry Senior Curator.
Brent R. Benjamin will retire as director of the Saint Louis Art Museum.
Nikki Iacovella was appointed director of the Outsider Art Fair.
Sara Jimenez and Destinie Adelakun were awarded the 2020 Canadian Women Artists’ Award by the New York Fondation for the Arts.
Kyla McMillan was appointed director, focusing on sales and artist management, at David Zwirner Gallery. | via ARTnews
Steve Carter (1929–2020), playwright who began his career at the Negro Ensemble Company | Playbill
Nancy Dine (1937–2020), Academy Award-nominated filmmaker | artnet
Ann Getty (1941–2020), publisher and arts patron | NYT
Florence Howe (1929–2020), publisher and historian who cofounded the Feminist Press | Baltimore Sun
Randall Kenan (1963–2020), award-winning fiction writer | NYT
Jiří Menzel (1938–2020), award-winning director | Guardian
William Pursell (1926–2020), Grammy-nominated country musician | NYT
Bruce Williamson Jr. (1970–2020), soul singer and former member of the Temptations | AV Press
The Project of Independence at MoMA probes the limits of modernist construction in South Asia.
The newly opened Cheech Marin Center for Chicano Art & Culture — also known as “The Cheech” — celebrates, spotlights, and complicates representations of Chicano art.
Convened by Erika Sprey, Lamin Fofana, Sky Hopinka, Emmy Catedral, and Manuela Moscoso, the public program unfolds this summer at CARA in New York City.
The Detroit-based artist draws from her Russian, Ukrainian, Jewish, and African American roots to create a dazzling new ornamental language.
Stuffed with references to historical and contemporary film, Olivier Assayas’s miniseries version of his own 1996 film Irma Vep is sometimes too clever for its own good.
The Bay Area art book fair is back this July with free programming at three different on-site venues, new exhibitors, and fundraising editions from renowned artists.
The authenticity of the works, whose owners say Basquiat sold to Hollywood screenwriter Thaddeus Mumford in 1982, has been heavily scrutinized.
The Utah site has been subject to longstanding contention over federal lands management.
Shows at the Hudson Valley’s Hessel Museum of Art feature artists Dara Birnbaum and Martine Syms, as well as new scholarship on Black melancholia as an artistic and critical practice.
At a time when many Black artists turned to figuration, Gilliam harnessed the power of abstraction, freeing the canvas from its support.
The artist’s portrait of her mother, painted in 1977 and reproduced on the vaporetti of Venice, may be one of the most evocative artworks in the Biennale.
A new box set of four of the Iranian director’s features offers a great opportunity to get to know his singular style.