The three-year MFA at Arizona State University’s School of Art is a top-ranked, tuition funded program offering multiple pathways to advance artistic practice. Working closely with our distinguished faculty, students hone their skills to produce culturally relevant work and sustain a lifelong creative practice. The program encourages innovative thinking, interdisciplinary research, and working with faculty across campus. Students work within and across disciplines such as animation, ceramics, intermedia, metals, painting and drawing, photography, printmaking, sculpture, textiles, and woods. They can also pursue thematic research in a range of topics including social practice, environmental justice, sustainability, and emerging technologies.
Graduate students have 24/7 access to individual, world class studio space at Grant Street Studios, located in downtown Phoenix. This facility is home to two galleries and enhanced resources including a wood shop, printmaking presses, photography darkroom, ceramics kilns, computer lab and 3D print lab. The MFA program culminates in a solo thesis exhibition in one of our galleries. The ASU Art Museum, Ceramics Research Center, and cultural institutions in Phoenix offer vital opportunities for students to connect with artists and curators.
MFA Faculty: Julie Anand, Susan Beiner, Margarita Cabrera, Sam Chung, Liz Cohen, Dan Collins, Angela Ellsworth, Heather Green, Erika Hanson, Hilary Harp, Heidi Hogden, Meredith Hoy, Mary Hood, Adriene Jenik, Mark Klett, Shawn Lawson, Christine Lee, Muriel Magenta, Ellen Meissinger, Wanesia Misquadace, Mary Neubauer, Katie Parker, Anthony Pessler, Mark Pomilio, Gregory Sale, Henry Schoebel, Stephen Marc, Forrest Solis, Benjamin Timpson, Kurt Weiser, Jim White.
The deadline to apply is January 15, 2021.
Register to attend the Virtual MFA Information session on December 4, 2020 at 4pm (MST).
For more information on Arizona State University’s MFA program, visit art.asu.edu.
In a world delighted and entertained by displays of material excess, Diane Simpson shows that there is another possibility.
The animal carcass sculptures are gruesome yet their materials — the artist’s own discarded clothing — lend them some gentleness.
View work by over 40 experimental artists and collectives from throughout the Americas who contributed to New York’s art scene during the 1960s and ’70s.
Mr. Bernatowicz, in your introductory text you talk about the need for honesty, the disease of hypocrisy, overreaching governments. You do not fulfill a single one of your own ideals.
The biggest problem with turning Dune into a film is that the book appears increasingly derivative of generic sci-fi tropes.
This exhibition explores how images of the human body were used to provoke profound physical and emotional responses in viewers from the 15th through 18th centuries.
Ed Roberson’s motorcycle ride from Pittsburgh to the Pacific is a quest-romance, an exploration of American culture and American mythology.
The collaborative handmade paper- and printmaking center at the Pennsylvania Academy of the Fine Arts publishes new works by Liz Collins and Sarah McEneaney.
The legendary performer amassed a collection of about 10,000 rare books, posters, and artwork about all things esoteric.
The proceeds will benefit the BDC’s community-centered initiatives and exhibitions.