Artist Olaf Breuning is the subject of this colorful and quirky video examination of the world he inhabits. It is a devastatingly nuanced cultural commentary that uses his characteristic humor as a lens on the world.
The Avant/Garde Diaries recently traveled to Olaf Breuning’s getaway house in upstate New York where the artist finds time to breathe fresh mountain air and take a load off from the hustle and bustle of the contemporary art world.
“I always believe artists have to do something that other people cannot do. They have to be special,” he explains. “You can watch your own belly button all the time, you know … there’s nothing visionary, there’s nothing great, there’s no great gesture.”
And, of course, he’s always having fun in the process.
Robert Legorreta, also known as “Cyclona,” discusses the origins of his performance art and ongoing political activism.
A caustic New York Times review from 1975 almost destroyed his career, but he remained one of the most influential artists of the 20th century.
How do we consider land-inspired art in an age when huge swaths of our shared world are being clear cut, mined, drilled, and desertified?
A documentary trilogy follows the life of Thich Nhat Hanh, who expounded the principles of engaged Buddhism.
Ten artists will receive studio space and access to faculty, staff, students, workshops, and programming at an arts institution in the heart of Philadelphia.
Sea View, conceived by Jorge Pardo as both an artwork and a residence, embraced the dissolution of borders between disciplines.
The Legion of Honor in San Francisco says it’s the first exhibition dedicated to the Renaissance artist’s drawings.
“Untitled” (1961) by George Morrison is the first work by a Native American artist to join the museum’s Abstract Expressionist collection.
“You can’t have idols; it’s in the second commandment,” he screamed before being arrested.
Join the New-York Historical Society on February 10 for a virtual conversation about our changing relationship to the natural world with Julie Decker, John Grade, and LaMont Hamilton.
Manhattan now has its own, downscaled version of the artist’s famous Chicago sculpture, oddly squished under a luxury condo tower.
Increased oil tanker truck traffic would “seriously degrade” the experience of viewing the canyon’s Indigenous rock art, said one advocate of the site.