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This is Robert Indiana first large-scale “LOVE” sculpture (1970 by Lippincott) ever made and it is in the collection of the Indianapolis Museum of Art in Indianapolis, Indiana. The color of the sculpture will change in the next few years, according to the museum website:
Over the next few years, the clean, freshly exposed Cor-ten steel will re-weather outside and the smooth steel will transform from silver to a variegated purplish brown patina with iridescent overtones. The first stage of this process may surprise viewers because the sculpture will turn birth orange due to rusting which results from the steel being exposed to repeated wet and dry cycles outdoors. The pace of the change in patina will depend on weather conditions, but eventually the object will turn brown and then continue darkening to its popular, recognizable appearance.
The image was snapped by museum conservator Richard McCoy and used with his permission.
In a world delighted and entertained by displays of material excess, Diane Simpson shows that there is another possibility.
The animal carcass sculptures are gruesome yet their materials — the artist’s own discarded clothing — lend them some gentleness.
View work by over 40 experimental artists and collectives from throughout the Americas who contributed to New York’s art scene during the 1960s and ’70s.
Mr. Bernatowicz, in your introductory text you talk about the need for honesty, the disease of hypocrisy, overreaching governments. You do not fulfill a single one of your own ideals.
The biggest problem with turning Dune into a film is that the book appears increasingly derivative of generic sci-fi tropes.
This exhibition explores how images of the human body were used to provoke profound physical and emotional responses in viewers from the 15th through 18th centuries.
Ed Roberson’s motorcycle ride from Pittsburgh to the Pacific is a quest-romance, an exploration of American culture and American mythology.
The collaborative handmade paper- and printmaking center at the Pennsylvania Academy of the Fine Arts publishes new works by Liz Collins and Sarah McEneaney.
The legendary performer amassed a collection of about 10,000 rare books, posters, and artwork about all things esoteric.
The proceeds will benefit the BDC’s community-centered initiatives and exhibitions.