Join us the first Thursday of each month for a free online screening of rarely seen short films and videos from the Smithsonian’s collection, followed by live conversations with the artists and Smithsonian curators. Featured artists and filmmakers include Margaret Salmon, Zora Lathan and Iman Uqdah Hameen, and Leslie Thornton.
Since the invention of the moving image, women have created films and videos that have changed how people see and experience the world. Throughout 2021, the Smithsonian will celebrate the breadth of women-made films and videos through a monthly series called Viewfinder: Women’s Film and Video from the Smithsonian. The first six programs consider the theme of inner worlds — a timely topic as the global pandemic continues to confine many people to their homes. Featured programs will highlight issues directly addressing domestic interiors, including childcare and labor, while others explore the emotional experiences that shape private lives. This series is presented by the Smithsonian American Women’s History Initiative, Because of Her Story, in collaboration with participating Smithsonian institutions.
Margaret Salmon: On Motherhood and the Everyday
Ninna Nanna (2006), by filmmaker Margaret Salmon, explores the relationships between three young Italian mothers and their infants. In striking images captured on 16 mm film, Salmon observes the subtle dynamics and emotional nuances of the women’s interactions with their young children. The filmmaker will join Rosalind Galt, Professor of Film Studies at King’s College London, and Marina Isgro, Associate Curator of Media and Performance Art and Robert and Arlene Kogod Secretarial Scholar at the Hirshhorn Museum and Sculpture Garden, in a post-screening conversation about this work in the Hirshhorn’s collection.
Register for “Margaret Salmon: On Motherhood and the Everyday,” taking place on Thursday, April 1, at 5pm (EDT).
For more details on the full series and to register for upcoming screenings, visit womenshistory.si.edu.
Although Khedoori does not depict living beings, their presence is evoked in the traces they leave behind.
The Bronx Museum’s fifth biennial continues to focus its programming on individual identity, eliding the ever-divergent interests of the art market and local communities.
The first lecture is on the relationship between early portrait photography and diverse notions of US identity during the Gilded Age. Register to attend on January 25.
While it may be strange to think of food insecurity as a basis for art, the works in Food Justice reveal barriers and injustices in food access.
Shiv would definitely have a Chihuly chandelier.
Part of the university’s Artists on the Future series pairing renowned artists with cultural thought leaders, this online event is free and open to the public.
“[The art market] provides an opportunity for people to move money in a way that they can’t with other commodities,” says FBI Special Agent Chris McKeogh.
Black American Portraits features over two centuries of artworks centering Black artists and subjects.
A love of Black art and history was the bedrock of the friendship between Dell Marie Hamilton and Susan Denker, who had markedly different racial, economic, and generational subject positions.
With what he says is his final museum bow, Fitzpatrick shines a light on the colorful diversity that composes his city.
The question of race — however hidden, however camouflaged by the shouts of the crowds — is a constant theme and an unanswered challenge.