Join us the first Thursday of each month for a free online screening of rarely seen short films and videos from the Smithsonian’s collection, followed by live conversations with the artists and Smithsonian curators. Featured artists and filmmakers include Zora Lathan and Iman Uqdah Hameen, Chitra Ganesh, and Alexandra Daisy Ginsberg.
Since the invention of the moving image, women have created films and videos that have changed how people see and experience the world. Throughout 2021, the Smithsonian will celebrate the breadth of women-made films and videos through a monthly series called Viewfinder: Women’s Film and Video from the Smithsonian. The first six programs consider the theme of inner worlds — a timely topic as the global pandemic continues to confine many people to their homes. Featured programs will highlight issues directly addressing domestic interiors, including childcare and labor, while others explore the emotional experiences that shape private lives. This series is presented by the Smithsonian American Women’s History Initiative, Because of Her Story, in collaboration with participating Smithsonian institutions.
Zora Lathan and Iman Uqdah Hameen: On Black Interiority
Drawing on the extensive holdings of our National Museum of African American History and Culture’s Earl W. and Amanda Stafford Center for African American Media Arts, this program will be dedicated to the interiority of Black life. The screening will pair the experimental works of Zora Lathan, who uses her family as her muse, and the short film Unspoken Conversation (1987) by Iman Uqdah Hameen, which explores a Black woman’s journey as a wife and mother. The filmmakers will join the National Museum of African American History and Culture’s media conservator Ina Archer for a post-screening conversation.
Register for “Zora Lathan and Iman Uqdah Hameen: On Black Interiority” taking place on Thursday, May 6, at 5:30pm (EDT).
For more details on the full series and to register for upcoming screenings, visit womenshistory.si.edu.
A new study posits that rising smog levels in 19th-century London and Paris likely played a role in blurring the lines of realism.
In Seongmin Ahn’s paintings, it is not our past we are looking at but our possible future.
Born in Shiraz, Sokhanvari fled Iran as a child a year before the Revolution and has devoted her artistic practice to the country she left behind.
“We clearly f-ed this one up,” said a Metropolitan Transit Authority rep, adding that the error in the artist’s last name is being fixed.
Join the New-York Historical Society on February 10 for a virtual conversation about our changing relationship to the natural world with Julie Decker, John Grade, and LaMont Hamilton.
At least we won’t have to look at it on Earth.
From residencies, fellowships, and workshops to grants, open calls, and commissions, our monthly list of opportunities for artists, writers, and art workers.
The statue could be a likeness of Trajan Decius, emperor of the Roman Empire from 249 to 251 CE.
The action could disrupt public access to the museum as workers campaign for higher wages and better labor conditions.
Presented by Northwestern’s Block Museum and McCormick School of Engineering, this new exhibition seeks empathy at the boundaries of life. On view in Evanston, Illinois.
Over 500 scholars signed an open letter to reinstate the exhibition, which was postponed in consideration of the ongoing war in Ukraine.
This week, artist studios in the streets of Manhattan, a Texas high school, a Brooklyn apartment, and more.