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The table obviously had commitment issues (via @marinaschair)
This is a great day for the Internet: twitter.com/marinaschair
The feed is obviously a joke but the chair’s bio is great:
Just me and Marina until the end of it all. NOTE: That picture features our table. The table has since left.
The Latest
Trashy Italian TV and Other Pandemic Escapes
Frey ponders why she felt comfort in television and film content that intellectuals often take pride in dismissing.
Decolonizing the (Sitcom) Museum
What does Rutherford Falls, a new TV series that prominently features two small town museums, tell us about the way people see the contentious stories on display in history and art institutions?
ICA Philadelphia Presents the First Major Retrospective on Ulysses Jenkins
Over 50 years of the artist’s video and media work on how images, sound, and cultural iconography inform representation is on view through December 30.
Call My Agent and the Crisis at Work
The French television program does a good job exploring how people cope with work-related drama and its impact on relationships.
Watching TV During the Pandemic
From European detective dramas to art documentaries, Yau reflects on some highlights from a year inside.
ArtYard’s Living Exhibition Unfolds in Real Time in New Jersey
Over the course of three months, the resident artists in Going to the Meadow will collaborate and create with a curated set of continually changing materials.
Screens: 
In this issue, we asked six art critics to focus their critical lens on the television programs they were watching during the pandemic.
Lets hope the catheter extracting her urine doesn’t short circuit the tweets