New Yorker cartoons are inextricably woven into the fabric of American visual culture. With an instantly recognizable formula — usually, a black-and-white drawing of an imagined scenario followed by a quippy caption in sleek Caslon Pro Italic — the daily gags are delightful satires of our shared human experience, riffing on everything from cats and produce shopping to climate change and the COVID-19 pandemic. The New Yorker‘s famous Cartoon Caption Contest, which asks readers to submit their wittiest one-liners, gets an average 5,732 entries each week, and the magazine receives thousands of drawings every month from hopeful artists.
What if a computer tried its hand at the iconic comics?
Playing on their ubiquity and familiarity, comics artist Ilan Manouach and AI engineer Ioannis Siglidis developed the Neural Yorker, an artificial intelligence (AI) engine that posts computer-generated cartoons on Twitter. The project consists of image-and-caption combinations produced by a generative adversarial network (GAN), a deep-learning-based model. The network is trained using a database of punchlines and images of cartoons found online and then “learns” to create new gags in the New Yorker‘s iconic style, with hilarious (and sometimes unsettling) results.
Whether it be Gary Larson’s famous comic strips or “the cartoons of a small regional press from an unknown artist,” Manouach and Siglidis said, “the cartoon format thrives on quirkiness, absurdity, arbitrariness and cheap artifice in order to get their simple message through.”
“Cartooning is paradoxically a 21st-century art form catering to a readership with limited attention for a quick visual gratification fix,” Manouach and Siglidis told Hyperallergic. “The Neural Yorker explores the limits of an important feature in the history and the modes of address of cartoon making: the non sequitur.”
At a cursory glance, the AI-generated panels evoke your everyday New Yorker joke. But a closer look reveals strange anomalies: two businessmen are seated at a table, but their figures are warped and distorted, and one of them lacks a human face. The contour lines are unfinished and the composition is oddly irrational, like a palimpsest or an Escherian stairwell. Add an inane caption — “Are there any stupid people here that don’t need a little paint?” — and the whole thing collapses into senselessness.
The Neural Yorker jokes may not spark vocal laughter or a knowing smile, like real New Yorker gags do, but they have their own comic effect: a feeling of self-aware ridiculousness, like looking at oneself in the mirror wearing a silly hat. Manouach and Siglidis’s project plumbs the construct of the cartoon format, forcing the medium to look inward and highlighting the subjectivity of humor. As former New Yorker editor Bob Mankoff said in the 2015 documentary Very Semi-Serious: “Cartoons either make the strange familiar or the familiar strange.”
Manouach, who describes himself as a “conceptual comic book artist,” has made a career of reimagining the cartoon tradition — in 2016, Hyperallergic covered his tactile graphic novel for visually impaired readers; currently, he is co-editing a glossary on artificial intelligence and working on Fastwalkers, a manga comic book written with emergent AI. Among his first forays into AI with Siglidis, who is starting a PhD on Deep Learning and Computer Vision at the École des Ponts ParisTech, was behind @RadicalDumb, a satirical text generator trained on transcripts from stand-up comedians and Tweets from alt-righters.
“When we started making bots, we were thrilled by their modeling power, by the way they could learn to reproduce concepts or a tone as complicated as humor or irony, produced by a set of independent data-points, and with little prior knowledge about the world,” Manouach and Siglidis told Hyperallergic.
“When we can now read something written on Twitter or even in the street that resembles the output of our bots, we experience something close to a serendipity.”
They Managed to Mess Up an Art Heist Movie
There must be a lesson in Vasilis Katsoupis’s film Inside about the vacuousness of the art market or the claustrophobia of exhibition spaces — I just don’t care.
Ten Painful Stories of the Dutch Colonial Slave Trade
The Rijksmuseum’s traveling show strives to remind us that we are all, in some way, a part of this chapter of human history, whose legacy continues today.
The Milton Resnick and Pat Passlof Foundation Presents The Feminine in Abstract Painting
Curated by Jennifer Samet and Andrea Belag, this group exhibition in NYC explores the feminine through aesthetics, as opposed to identity or gender.
Textured Histories at Shiprock Santa Fe
The Santa Fe gallery features Indigenous textiles and jewelry from the early 19th century to today.
Renaissance Portrait of “Ugly Duchess” Likely Depicts a Man
A curator at London’s National Gallery believes the subject of painter Quinten Massys’s painting “is most likely a he.”
NYU Steinhardt Opens 2023 MFA Thesis Exhibitions
Taking place at 80WSE Gallery in New York’s Greenwich Village, Part I is on view from late March through April while Part II opens in May.
Hokusai’s “Great Wave” Makes a Splash at Auction
An edition of the iconic woodblock print broke records when it sold for $2.8M this week.
MTV’s The Exhibit Is Back With an Inflatable Dolphin
Episode four, in which artists tackled themes of justice and injustice, was the most lifeless of the reality TV show so far.
Miniature Worlds: Joseph Cornell, Ray Johnson, Yayoi Kusama
Through small-scale works, this exhibition at the Katonah Museum of Art in New York examines Cornell’s prominent role in the lives and careers of Johnson and Kusama.
Florida Principal Ousted Over “Pornographic” Michelangelo Sculpture
Parents complained that the famous sculpture was shown to their sixth graders.
Tickets to Sold-Out Vermeer Show Are Going for Hundreds
The online resale market for the Rijksmuseum’s smash exhibition is booming, with tickets selling on eBay for over $2K.
The Wider World and Scrimshaw
On March 28, join the New Bedford Whaling Museum online and in-person for a symposium on global carving traditions from across the Pacific Rim.
Three Looted Antiquities at the Met Repatriated to Turkey
Nine other repatriated works were seized from Met Trustee Shelby White, whose collection was subject to a criminal investigation.
This week, the world’s lightest paint, Pakistan’s feminist movement, World Puppy Day, and were some of Vermeer’s paintings created by his daughter?