* * *
After breaking its spine we notice
More clouds dressed up as brains
Writhing past towers all adrip
In grey snowlight. The skids
Remind us both of that Bruegel
We ought to know, but everyone
From a distance is going natural
Goth. Another Pernod for Mr.
Archer, please. Neon doomsters
Swear everything registered will
Be good, if not especially just.
Eventually the climate overpowers
Inaugural sentiment, breaking
All comers into lists of pursed O’s
Melting down over candy, rejecting
Unasked for snapshots of our
Tackish purple-lit carousel rides
By the Seine’s inviting trashbag
green currents. The anti-concussion
Rules can’t keep up with evolving
Bodies hurtling themselves across
Numbered chalk lines for us
Without guaranteed contracts. No
One truly broke fears that, exactly.
The action could disrupt public access to the museum as workers campaign for higher wages and better labor conditions.
Over 500 scholars signed an open letter to reinstate the exhibition, which was postponed in consideration of the ongoing war in Ukraine.
This week, artist studios in the streets of Manhattan, a Texas high school, a Brooklyn apartment, and more.
Your list of must-see, fun, insightful, and very New York art events this month, including Ed Ruscha, Nina Katchadourian, Luis Camnitzer, Martha Edelheit, and more.
Join the New-York Historical Society on February 10 for a virtual conversation about our changing relationship to the natural world with Julie Decker, John Grade, and LaMont Hamilton.
Asawa’s life masks do not keep count of past or future losses.
At San Francisco’s Legion of Honor, Mobina Nouri took scissors to her own strands and invited others to do the same.
Amid a worsening inflation crisis, Sergio Guillermo Diaz’s banknote artworks are a poignant symbol of Argentinian resilience.
Theatres of Melancholy: The Neo-Romantics in Paris and Beyond highlights a group of artists who found acclaim and patronage only to fall back into obscurity.
Presented by Northwestern’s Block Museum and McCormick School of Engineering, this new exhibition seeks empathy at the boundaries of life. On view in Evanston, Illinois.
Jean Renoir’s newly restored 1939 classic proves that lawless wealth — then as now — makes a marvelous farce of us all.
Hamburg’s Antisemitism Commissioner disparaged photographer Adam Broomberg for his support of the BDS movement.