Editor’s note: In the following series, artist Lawrence Swan explores the notion of capitalization in the art world and the plight of the uncapitalized artist. Part One appeared on Wednesday.

The Latest

Memories So Fair and Bright

Kimetha Vanderveen’s paintings are about the interaction of materiality and light, the bond between the palpable and ephemeral world in which we live.

Lawrence Swan

Lawrence Swan is an uncapitalized artist/writer who lives in Brooklyn with his wife Lori Ellison. He is working on a documentary novel entitled Panic in Decade Zero.

8 replies on “A Graphic Essay on Capitalization, Part Two”

  1. I am really liking this series. The collage presentation is awesome and the format of a visual essay is a breath of fresh air, not to mention bringing along interesting ideas. Who are the art world’s most “capitalized” artists?

Comments are closed.