At Bard Graduate Center, we study the cultural history of the material world. Our scope is global and ranges from distant antiquity to the present. For more than 25 years, our interdisciplinary, object-based approach to learning has been training future curators, researchers, educators, and museum and arts professionals to ask new questions about our shared history. Founded in 1993 on the idea that decoration is a human universal that can be found in all times and at all places, BGC’s initial focus on the history of design and decorative arts has expanded to include the crucial perspectives of anthropologists, archaeologists, cultural historians, and conservators. Today, Bard Graduate Center is the leading American graduate institute for interdisciplinary, object-centered inquiry into material culture.
We welcome you to visit us! This fall we will offer three open houses:
These events will give you the chance to meet our faculty and students.
To reserve your spot and learn more, visit bgc.bard.edu/admissions.
If you can’t make one of the open houses, or if you have any other questions, please email firstname.lastname@example.org for more information. We’re here to help.
Applications for Fall 2022 admission to the MA & PhD program are due January 7, 2022. For application information, visit bgc.bard.edu.
The small New York art fair celebrated its 26th edition with the works of 11 women artists.
The artist couple shared creativity and mutual devotion reflecting a period of light and joy that came after considerable darkness in their early lives.
Conversations with Leslie Barlow, Mary Griep, Alexa Horochowski, Joe Sinness, Melvin R. Smith, and Tetsuya Yamada will be accessible online or in person at the Minneapolis College of Art and Design.
The plot of Maureen Fazendeiro and Miguel Gomes’s film moves backward in time, continually recontextualizing what at first looks like a simple situation.
It’s art fair season and we’re here to comfort and entertain you during this difficult time of the year with a new, biting edition of our Bingo card series.
Now on view in Pasadena, this exhibition explores how four artists challenged the limitations of gestural abstraction by exploiting the resonance of figural forms.
The artifacts are estimated to date from 400 to 300 BCE, when Greek settlements existed along the northern shores of the Black Sea near Odesa.
Jeremy Webster of Leicester University’s Attenborough Arts Centre reportedly pelted the statue from behind a fence.
Northwestern’s Block Museum of Art Presents A Site of Struggle: American Art against Anti-Black Violence
This new exhibition in Evanston, Illinois considers how art has been used to protest, process, mourn, and memorialize anti-Black violence for more than a century.
Snapchat CEO Evan Spiegel and model Miranda Kerr paid off the student loans of 285 recent graduates.
Cammie Tipton-Amini’s opinion piece “When Ukraine Was Newly Independent and Everything Was Possible” employs simplistic whataboutism that dangerously echoes Putin’s lies.
Anthony Banua-Simon’s documentary Cane Fire contrasts decades of Hollywood images of his home with its current reality.