Peterson Stoop, founded by Jelske Peterson and Jarah Stoop in 2013, has found a unique and attractive way to combat fashion industry waste. Sneakers can take 1,000 years to break down in nature, but the team repurposes old kickers into these beautifully stitched shoes that are often more beautiful than the original designs. The company told Colossal that "the studio sources sneakers from sorting centers, secondhand shops, and retailers with overstock, although it gravitates toward brands like Nike, Adidas, and Converse because of their cultural relevance." More images and info on Colossal. (via Colossal)

Sometimes I think we must be able to imagine the end of things, so that we can imagine how we will come through that which we imagine. Of the things that trouble me most, the human inability to imagine its end ranks very high. It means that there is something in the human makeup resistant to terminal contemplation. How else can one explain the refusal of ordinary, good-hearted citizens to face the realities of climate change? If we don’t face them, we won’t change them. And if we don’t change them, we will not put things in motion that would prevent them. And so our refusal to face them will make happen the very thing we don’t want to happen.

We have to find a new art and a new psychology to penetrate the apathy and the denial that are preventing us making the changes that are inevitable if our world is to survive. We need a new art to waken people both to the enormity of what is looming and the fact that we can still do something about it.

The commune movements of the 1960s, which spanned the globe but proliferated in settler-colonial countries, were often the result of white settlers who had lived mainstream lives “dropping out” of college, the workforce, and suburban nuclear-family life to “go back to the land” and rediscover a more “natural” life. These back-to-the-land movements simultaneously claimed that they wanted to detach from the decay of modern life wrought by technology and industry while also stating they would be able to “restore” land that had fallen into disarray. Communities like Wilderland (founded 1964) in New Zealand and New Buffalo Commune (founded 1967) in Arroyo Hondo, New Mexico, explicitly appropriated Indigenous ways of living and knowing without engaging with the political and material reality of Indigenous people in the present. This particular settler-colonial practice that envisions Indigenous peoples as existing and thriving only in a pre-colonial world is what scholar Juliana Hu Pegues calls “space-time colonialism.” In this formulation, the Indigenous peoples of the pre-colony are perpetually stuck in the stasis of the past.

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The problem is that that very few Etruscan texts survived the Roman conquest and we don’t have a “Rosetta stone” that can help us translate them, Posth notes. What we do know is that the Etruscans used an alphabet that derived from the Greek one, but spoke a language that was most likely not Indo-European. This huge family of languages encompasses most of the tongues spoken between northern India and western Europe, including, Latin, Greek, Germanic and Slavic languages. One of the few non-Indo-European languages that survive today in Europe is Basque, spoken in parts of northern Spain and southwestern France.

So it’s understandable why historians have always wondered how a civilization with an entirely different language and culture arose in central Italy at the beginning of the Iron Age.

Now the scientists that developed them at the University of Vermont, Tufts University and Harvard University’s Wyss Institute for Biologically Inspired Engineering said they have discovered an entirely new form of biological reproduction different from any animal or plant known to science.

Required Reading is published every Thursday afternoon, and it is comprised of a short list of art-related links to long-form articles, videos, blog posts, or photo essays worth a second look.

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This week, the Getty Museum is returning ancient terracottas to Italy, parsing an antisemitic mural at Documenta, an ancient gold find in Denmark, a new puritanism, slavery in early Christianity, and much more.

Hrag Vartanian

Hrag Vartanian is editor-in-chief and co-founder of Hyperallergic. You can follow him at @hragv.