What is the bizarre pleasure in looking at art in banal rooms? Is it the economic disparity between the blue-chip objects and their more middle and lower class surroundings that make them interesting? Maybe this unexpected contrast emphasizes that context is everything in the realm of modern and contemporary art. Well, presenting Great Art in Ugly Rooms.
Outside of the white box, do these works lose a little of their power to inspire? It amazes me that Marcel Duchamp’s “Nude Descending a Staircase, No. 2” (1912) looks surprisingly at home in a wood-paneled room, or that the Barnett Newman easily blends into the bargain store surroundings by visually being transformed into a generic super graphic. Some of the art does look out of place, like the work by Jean-Michel Basquiat, which is far too edgy and busy for a typical fast-food chain.
If you’re ever seen a great work of art in someone’s home, you know that paintings often hang crooked in private hallways or sculptures can be blanketed with dust because cleaning staff are told not to touch them. These are the lives of works outside of museums, auction houses, galleries, and Architectural Digest spreads. Maybe these photos are fascinating because we know they are impossible. “Great” art should be inaccessible, many of us secretly believe, even if it is the opposite of what we say to the world. Recently, a Michelangelo went on view at an Italian prison, but the reason that decision made headlines was because the concept seemed odd. What would great art be doing there?
Three Looted Antiquities at the Met Repatriated to Turkey
Nine other repatriated works were seized from Met Trustee Shelby White, whose collection was subject to a criminal investigation.
This week, the world’s lightest paint, Pakistan’s feminist movement, World Puppy Day, and were some of Vermeer’s paintings created by his daughter?
The Wider World and Scrimshaw
On March 28, join the New Bedford Whaling Museum online and in-person for a symposium on global carving traditions from across the Pacific Rim.
Who Will Decide on the Future of a Miami Native Burial Ground?
Native activists say sacred remains and objects dug up from a Brickell construction site should remain there, but mega-developer Jorge Pérez is pushing back.
How Can a Curator Approach South Asian Futurisms?
How do I acknowledge my shortcomings while reckoning with obscured histories and the exclusion of subaltern narratives in the fine art landscape? A working checklist for curators.
MCA Chicago Presents On Stage: Frictions
Will Rawls, Shamel Pitts | TRIBE, and Barak adé Soleil explore Blackness, queerness, movement, and dance in performances at the Museum of Contemporary Art Chicago.
The Complicated Legacy of Camilo Egas
The Ecuadorian painter, a leading figure of Latin America’s Indigenismo art movement, has been both praised and scorned for his representation of Indigenous peoples.
Tom Jones Zeroes in on Ho-Chunk Visibility
“I think about the young kids, the teenagers, and I think being able to see yourself represented in art is so powerful,” says the artist.
Haggerty Museum of Art Presents Tomás Saraceno in Dialogue With Dr. Somesh Roy
The artist and researcher will explore soot’s effects on climate change and public health in this online conversation.
Hundreds of Artworks by NYC Teenagers Go on View at the Met
The talented seventh through twelfth-grade students are recipients of the 2023 Scholastic Art and Writing Awards.
NYC’s Flatiron Building Sells for a Whopping $190M
The sale to outsider bidder Jacob Garlick puts an end to the protracted legal battle between the iconic skyscraper’s five former owners.
McKnight Visual Artist Fellows Discussion Series at the Minneapolis Institute of Art
The series features 2021 Fellows David Bowen, Mara Duvra, Rotem Tamir, Ben Moren, and Dyani White Hawk in conversation with renowned curators and critics.
The Best Memes Roasting the “We ❤️ NYC” Campaign
A graphic designer on Twitter created a hilarious send-up of the universally reviled logo, and the rest is history.
Did You Know These Museums Were Free for New Yorkers?
The “Free Admission” campaign is advocating to make ticket pricing information more transparent to visitors, who may be confused or misled by institutions’ language.
How about doing a reverse: “Dogs Playing Poker” at the Met.
It makes so much sense. I’ve always wondered at the imperative of the white box. Rarely if ever are the interior [psychic] or exterior [studio] spaces in which art is made so orderly or pristine. Why always uproot the art from its natural dirt? Anyway, this is cool.
The original source for this was a blog called http://trufflehunting.wordpress.com/ – incredibly well written and really on-target. Check it out. Not even a mention by the writer here….Hmmm….too insecure to give credit??? Even Christopher Knight at LATimes ReTweeted the original posting.
I never saw that post, and did that person create the blog? Probably not, so I’m not sure what you mean by an “original” source. When two reviewers discuss the same thing they have to reference the other? Are you new to reviewing?
I keep all my Cady Noland’s in the garage.
haha, please taco bell, please please make a deal to decorate your whole chain with Basquiat!
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