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Unless you’ve been living under a rock, you’re probably fully aware that the US government’s National Security Agency (NSA) can read your email, track your web movements, and access your Skype, Apple, Google, Facebook, Yahoo, and almost any other major internet account (strangely, Twitter seems exempt). Naturally, how does the internet respond? Through memes, images, and blogs. So, presenting a selection of the best responses we’ve found in regards to this evolving story … and just in case you were wondering, I’m sure the NSA now knows you’re read this.
Obama Is Checking Your Email
There’s nothing creepier than the Commander in Chief looking at a screen that might have your data on it. And now there’s a whole Tumblr blog accumulating those images for you. The amazing thing about this is that you’ll never look at a picture of Obama looking at a screen again without wondering what he’s reading.
Pondering the Nature of Secrecy
There’s nothing like a good ole fashioned dinosaur to make your ponder governmental logic.
An Update on Shepard Fairey’s Obama Posters
Repurposing Americana Faves
And there’s the Compliant Corporations …
Archeologists can now prove the Vikings made landfall in the Americas hundreds of years before Columbus reached the Bahamas.
This week, the National Gallery of Art finally acquired a major work by Faith Ringgold, the director of The Velvet Underground talks film, North America’s Hindu Nationalist problem, canceling legacy admissions, and more.
No Vacancy, curated by Jody Graf, will be on view from October 26 through November 8 at the school’s Kellen Gallery in New York City.
Sculptures of Oaxacan alebrijes, envisioned as guardians of the nation’s immigrant community, and catrinas, Day of the Dead skeletons, are now at Rockefeller Center.
“I am trying to keep the immediacy of my emotional experience while I’m painting.”
Art by Athena LaTocha, Wendy Red Star, Marianne Nicolson, Anita Fields, Jaune Quick-to-See Smith & Neal Ambrose-Smith, and more is on view through January 2022.
The intention behind the seemingly bizarre combination was, according to Attie, “to give visual form to the shared American and Brazilian reality of nationalistic divisions that defines our political present.”
Nowhere in the museums’ advertising blitzkrieg for the performance were we told to bring our wildfire-season masks as well as our covid masks, and covid masks don’t prevent smoke inhalation.