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Yesterday, the city of Detroit filed for bankruptcy, making it the largest city to do so and the largest municipal filing, debt-wise, in American history. Then, today, a judge ruled the filing unconstitutional, saying that it violates Michigan state law. Meanwhile, in the parallel unfolding saga of the fate of the city’s art museum, the Detroit Institute of Arts, news has now emerged that representatives of Christie’s called the institution last month, asking for an inventory of artworks, believed to be worth ~$2 billion, and “if appraisers could visit to assess the collection,” the New York Times reports.
That upsetting nugget is buried in a mostly speculative article about what might happen to the collection if the bankruptcy proceedings were to go ahead. Of course, no one knows yet. But as Randy Kennedy and Monica Davey write in the Times, “it is clear that the desire of creditors to determine the collection’s worth will not go away.”
The office of state-appointed emergency manager Kevyn Orr says it did not initiate the appraisal, but spokesman Bill Nowling offered these words:
“We haven’t proposed selling any asset. But we haven’t taken any asset off the table. We can’t. We cannot negotiate in good faith with our creditors by taking assets off the table. And all of our creditors have asked about the worth of the D.I.A. And we’ve told them that they’re welcome to find out.”
And find out they are! Christie’s wouldn’t comment on the matter, but it seems pretty clear that one or more the city’s creditors requested the evaluation. There’s no word on whether the proposed visit actually took place, but if it hasn’t yet, it surely will. With Michigan Governor Rick Snyder calling the DIA’s collection an “asset,” his hand-picked emergency manager blithely reassuring us that he loves art (no doubt because it’s so valuable), and Detroit Mayor Dave Bing pretty much powerless to do anything about it, I’m sure those hungry creditors are feeling very discouraged.
Tabitha Arnold’s rugs pay tribute to organizers who lay their bodies on the line in the workplace, in the public square, and in the depths of private prisons.
The intentionality of Booker’s abstraction gives me the impetus to discuss something about the current zeitgeist that’s been on my mind for a while.
The Morgan Library & Museum Presents Another Tradition: Drawings by Black Artists from the American South
This exhibition celebrates the Morgan’s recent acquisition of drawings by Thornton Dial, Nellie Mae Rowe, Henry Speller, Luster Willis, and Purvis Young.
After years in the making, New Time opens at the Berkeley Art Museum and Pacific Film Archive.
The museum details the process of moviemaking, from its inception in storytelling all the way to its marketing. But interwoven into these exhibits are ugly truths.
Part of the John Michael Kohler Arts Center in Sheboygan, Wisconsin, the Art Preserve also functions as a curated collection facility and is filled with immersive installations.
The former panels, removed in 2017, featured images dedicated to Confederate Generals Stonewall Jackson and Robert E. Lee.